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Henle Verlag","description":"\u003cstyle\u003e\n.tmc-bp{--bg:oklch(0.16 0.014 50);--bg-2:oklch(0.22 0.015 55);--bg-cream:oklch(0.93 0.025 78);--bg-stone:oklch(0.32 0.018 60);--ink-1:oklch(0.99 0.012 80);--ink-2:oklch(0.93 0.012 80);--ink-3:oklch(0.80 0.010 78);--ink-cream:oklch(0.20 0.020 50);--ink-cream-2:oklch(0.36 0.020 50);--hair:oklch(0.65 0.012 80 \/ 0.55);--gold:oklch(0.84 0.13 82);--gold-deep:oklch(0.62 0.13 70);--sheen:oklch(0.92 0.08 82);--serif:'Cormorant Garamond','Times New Roman',serif;--sans:'Inter',-apple-system,BlinkMacSystemFont,sans-serif;--mono:'JetBrains Mono',ui-monospace,monospace;--max:1640px;background:var(--bg);color:var(--ink-1);font-family:var(--sans);line-height:1.55;display:block;margin:0 -16px;padding:0}\n.tmc-bp *,.tmc-bp *::before,.tmc-bp *::after{box-sizing:border-box}\n.tmc-bp a{color:inherit;text-decoration:none;transition:.25s}\n.tmc-bp .container{max-width:var(--max);margin:0 auto;padding:0 clamp(20px,4vw,72px)}\n.tmc-bp 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.lbl{font-family:var(--mono);font-size:9.5px;letter-spacing:.28em;text-transform:uppercase;color:var(--ink-3);margin-top:12px}\n.tmc-bp .below-grid-divider{padding:clamp(28px,4vw,64px) 0 clamp(12px,2vw,28px);text-align:center;background:var(--bg)}\n.tmc-bp .below-grid-divider .ka{font-family:var(--mono);font-size:11px;letter-spacing:.32em;text-transform:uppercase;color:var(--gold);margin-bottom:16px}\n.tmc-bp .below-grid-divider h3{font-family:var(--serif);font-weight:300;font-size:clamp(28px,3.6vw,52px);line-height:1.05;letter-spacing:-.018em;color:var(--ink-1);margin:0;max-width:24ch;margin-left:auto;margin-right:auto}\n.tmc-bp .below-grid-divider h3 em{font-style:italic;color:var(--gold)}\n@media (max-width:980px){.tmc-bp .essay-grid{grid-template-columns:1fr;gap:32px}.tmc-bp .meta{grid-template-columns:repeat(2,1fr);gap:20px}}\n@media (max-width:780px){.tmc-bp .facts-grid{grid-template-columns:repeat(2,1fr);gap:24px 0}.tmc-bp .fact{border-right:0;padding:0 14px}.tmc-bp .fact:nth-child(odd){border-right:1px solid rgba(212,175,99,.18)}}\n\u003c\/style\u003e\u003cdiv class=\"tmc-bp\"\u003e\n\n\u003cdiv class=\"hero\" style=\"min-height:62vh;background:radial-gradient(ellipse 120% 100% at 30% 50%,#1a2438 0%,#0e1525 50%,#070a11 100%)\"\u003e\n\u003cdiv class=\"hero-content\"\u003e\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"eyebrow\"\u003eThe Network · München · Urtext\u003c\/div\u003e\n\u003ch1 class=\"h1\"\u003eG. \u003cem\u003eHenle\u003c\/em\u003e Verlag.\u003c\/h1\u003e\n\u003cp class=\"sub\"\u003eThe German imprint of the Henle press — the editorial seat in Munich (Bonn for the Beethoven works) where the urtext editions originate before international distribution. \u003cem\u003eEditorial board\u003c\/em\u003e work, source-critical apparatus, the blue cover that defined the urtext format.\u003c\/p\u003e\n\u003cdiv class=\"meta\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eRegion\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eMünchen · DE\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eFounded\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003e1948\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eSpecialty\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003eUrtext · Source-critical Editions\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eCatalogue\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003e\n\u003cem\u003e700+\u003c\/em\u003e titles\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003csection class=\"essay\"\u003e\u003cdiv class=\"essay-grid\" style=\"grid-template-columns:1fr;max-width:900px;margin:0 auto\"\u003e\n\u003cdiv class=\"essay-text\"\u003e\n\u003cdiv class=\"kicker\"\u003eG. Henle Verlag · The Source\u003c\/div\u003e\n\u003ch2\u003eThe editorial\u003cbr\u003e\u003cem\u003eseat\u003c\/em\u003e.\u003c\/h2\u003e\n\u003cp\u003eG. Henle Verlag is the German house — the editorial office where the Henle urtext editions are prepared from primary sources before distribution worldwide. The Beethoven catalogue is anchored at the Beethoven-Haus in Bonn; the Mozart catalogue at the Mozarteum in Salzburg.\u003c\/p\u003e\n\u003cp\u003eWhat appears in the blue cover is what musicology approves. Henle Verlag's source-critical apparatus, fingering practice (Walter Gieseking for the early years), and editorial board (Henle, Eppstein, Albrecht, Heinemann) are the global reference point.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"quote\"\u003e\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"mark\"\u003e“\u003c\/div\u003e\n\u003cq\u003eThe \u003cem\u003eurtext\u003c\/em\u003e. The source.\u003c\/q\u003e\n\u003ccite\u003eG. Henle Verlag · München\u003c\/cite\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"essay\" style=\"--bg-cream:oklch(0.90 0.025 75)\"\u003e\u003cdiv class=\"essay-grid\" style=\"grid-template-columns:1fr;max-width:900px;margin:0 auto\"\u003e\n\u003cdiv class=\"essay-text\"\u003e\n\u003cdiv class=\"kicker\"\u003eHenle Verlag · The Range\u003c\/div\u003e\n\u003ch2\u003e\n\u003cem\u003ePiano\u003c\/em\u003e, \u003cem\u003echamber\u003c\/em\u003e,\u003cbr\u003esolo, \u003cem\u003estudy\u003c\/em\u003e.\u003c\/h2\u003e\n\u003cp\u003ePiano solo (the Henle core); chamber and instrumental sonatas; the major concertos in study score; selected vocal and organ; the Henle \u003cem\u003eLibrary\u003c\/em\u003e series of paperback editions.\u003c\/p\u003e\n\u003cp\u003eUS distribution through Hal Leonard.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"facts\"\u003e\u003cdiv class=\"facts-grid\"\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003e1948\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eFounded · München\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eBeethoven-Haus\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eThe Bonn editorial seat\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eUrtext\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eSource-critical · global standard\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eDE\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eHenle blue cover\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"below-grid-divider\"\u003e\n\u003cdiv class=\"ka\"\u003eBrowse the current catalogue below\u003c\/div\u003e\n\u003ch3\u003eThe current \u003cem\u003eHenle Verlag\u003c\/em\u003e catalogue —\u003cbr\u003epiano, \u003cem\u003echamber\u003c\/em\u003e, study, urtext.\u003c\/h3\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","products":[{"product_id":"piano-quintet-in-f-minor","title":"Piano Quintet in F minor","description":"\u003cp\u003eThis work, composed in 1878\/79, alternates between chamber music intimacy and symphonic opulence, and marks the beginning of a series of significant late works by César Franck. Its composition was partly prompted by the successful performance of Franck's youthful piano trios at the “Société nationale de musique” (founded in 1871), and probably also by a composition competition for works using this instrumental combination whose deadline Franck then went on to miss. The Quintet was received coolly at its first performance in January 1880, and it was performed just a few more times during the composers lifetime. It was only in the 20th century that audiences and critics came to recognise this work as a major milestone in the history of French chamber music, and it now adorns the Henle catalogue in a new Urtext edition.\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53471228395838,"sku":"51481142","price":70.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51481142_1.jpg?v=1778631873"},{"product_id":"henle-plastic-protector-for-urtext-editions","title":"Henle Plastic Protector — for Urtext Editions","description":"\u003cp\u003eProtector for Urtext Editions, fits all spine widths in format 23.5 x 31 cm (9.5 x 12 in)\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53471288099134,"sku":"51488017","price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51488017c.jpg?v=1778632953"},{"product_id":"tzigane-for-violin-and-piano-urtext-edition-with-marked-and-unmarked-string-part","title":"Tzigane for Violin and Piano — Urtext Edition with Marked and Unmarked String Part","description":"\u003cp\u003e“Virtuoso piece in the style of a Hungarian Rhapsody” – thus reads Ravel's entry on “Tzigane” in the so-called “Autobiographical Sketch.” Composed in 1924, there are three versions of this work: with piano, with orchestra and with luthéal, a device for keyboard instruments to extend the timbre. “Tzigane” was inspired by the Hungarian-English violinist Jelly d'Aranyl, to whom Ravel had already promised a virtuoso piece in 1922 following Franz Liszt's “Hungarian Rhapsodies.” Work progressed slowly and d'Aranyl only received the music four days before the première – but she still gave a brilliant performance.\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53471334498622,"sku":"51480587","price":32.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51480587_1.jpg?v=1778633657"},{"product_id":"piano-sonata-no-2-in-a-major-op-2-no-2","title":"Piano Sonata No. 2 in A Major, Op. 2, No. 2","description":"\u003cp\u003eBeethoven's three piano sonatas op. 2 were the first works in this genre to which he gave an opus number, thus signaling to the music world the special importance that he assigned to them. He wrote them during his first years in Vienna and, along with his op. 1 piano trios, they helped to establish his reputation as one of the most significant composers of his time. These three sonatas - all of them small masterpieces - are arranged in ascending order of difficulty and virtuosity. At the heart of this A-major Sonata is the well-known, profound Largo appassionato movement, whose staccato bass line is reminiscent of double bass pizzicati. It stands in stark contrast to the nimble Rondo-Finale, whose theme returns each time with ever more elaborate arabesques. Murray Perahia's fingerings have been tried and tested over several decades of performing these works, and offer a new approach to these milestones of the piano repertoire.\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53471336366398,"sku":"51480772","price":15.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51480772_1.jpg?v=1778633672"},{"product_id":"string-quartets-op-12-and-13-study-score","title":"String Quartets Op. 12 and 13 — Study Score","description":"\u003cp\u003eThe string quartet is generally considered as the chamber-music genre of the classical era: invented by Haydn, elaborated by Haydn and Mozart, and brought to its compositional peak by Beethoven. All later quartet composers had to measure themselves against the works of these three masters. This applies first and foremost to Mendelssohn, who has always been called a “classical romantic.” His Quartet in A minor op. 13 in particular is said to have strong Beethovian stylistic traits. It was composed in late summer and fall 1827, shortly after Beethoven's late quartets appeared in print, works that Mendelssohn was no doubt familiar with. The Quartet in E flat Major op. 12 was written two years later, during Mendelssohn's first tour of England. A textually identical score of the two quartets is published in Henle's Study Scores series (HN 9270).\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53471338660158,"sku":"51489270","price":25.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51489270_1.jpg?v=1778633698"},{"product_id":"notes-a-miniature-booklet-of-8-stave-manuscript-paper","title":"Notes — A Miniature Booklet of 8-Stave Manuscript Paper","description":"\u003cp\u003eThis 32-page, pocket-sized manuscript paper booklet features high quality, cream-colored paper and is handy for any use. Dimensions: approximately 4 x 6 inches.\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53471342756158,"sku":"51488000","price":1.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51488000FC.jpg?v=1778633746"},{"product_id":"sonatinas-for-piano-volume-i-baroque-to-pre-classic","title":"Sonatinas for Piano - Volume I: Baroque to Pre-Classic","description":"\u003cp\u003eThrough the amiable genre of the sonatina, generations of piano pupils have slowly and cautiously approached its “big sister”, the sonata. With the aid of our three-volume selection of sonatinas from two centuries, intermediate piano pupils large and small can undertake an excursion through the development of piano music from the early 18th to the end of the 19th century. This first volume contains 26 easy to moderately difficult sonatinas from the time of the High Baroque and pre-classical periods by composers including C.P.E. and J.C.F. Bach, Handel, Georg Benda, Domenico Scarlatti and Antonio Soler. Since the term “sonatina” had quite diverse meanings at this time, the volume offers works of varied character. The simple pieces at the beginning provide a way in; then the sonatinas follow in chronological order. A table shows the most important embellishments and their correct execution according to the rules of the time. A large body of literature for piano lessons!\u003c\/p\u003e","brand":"G. 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The late Sonata in B minor maintains the immense musical level of opus 35 and, in spite of all its drama, also offers many moments of repose, for example in the dreamy slow movement, where one is transported by the music's cantabile character. Both sonatas belong at the summit of the virtuoso piano repertoire.\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53472136757566,"sku":"51489289","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51489289-wl.jpg?v=1778649170"},{"product_id":"london-trios-hob-iv-1-4-study-score","title":"London Trios Hob.IV:1-4 — Study Score","description":"\u003cp\u003eFor piano, 2 horns, violin, and cello.\u003cbr\u003e\u003cbr\u003eLondon, with its bustling musical scene, always provided Haydn with welcome surroundings at a time when the flute was extraordinarily popular among English amateurs. The Earl of Abingdon, an accomplished flautist, undoubtedly enjoyed playing these entertaining trios. Abingdon was a member of Haydn's circle of acquaintances in London and a composer in his own right: a theme from one of his songs (“The Lady's Mirror”) served Haydn for a set of variations in the second trio. Neither men could have foreseen the huge success that these cheerful and straightforward pieces would enjoy among music-lovers all over the world.\u003c\/p\u003e","brand":"G. 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Henle Verlag","offers":[{"title":"Default Title","offer_id":53472136986942,"sku":"51489544","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51489544_1.jpg?v=1778649176"},{"product_id":"works-for-choir-and-orchestra-op-80-112-118-121b-122-woo-95-study-score","title":"Works for Choir and Orchestra Op. 80, 112, 118, 121b, 122, WoO 95 — Study Score","description":"\u003cp\u003eCombining a piano concerto and a cantata in one work is an undertaking that requires true mastery. Ludwig van Beethoven succeeded in this with his “Fantasy for piano, chorus and orchestra” in C minor op. 80, composed in 1808. Since the melody of the “Ode to Joy” from the finale of his Ninth Symphony can be heard here “in ovo,” the Choral Fantasy is also referred to a the “Little Ninth.” This score edition of the work is supplemented in our handy study edition by the concert overture “Meeresstille und glückliche Fahrt” (“Calm Sea and Prosperous Voyage”) op. 112 and other short orchestral works (opp. 118, 121b, 122, WoO 95). This edition, in the quality one expects of an Urtext, offers the full musical text of the Beethoven Complete Edition.\u003c\/p\u003e","brand":"G. 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Beethoven, who regularly performed the B flat major Concerto on his concert tours, made repeated alterations to the work. These changes have left behind fascinating traces, which the editor – Beethoven scholar Hans-Werner Küthen – discusses in detail in his preface and in the subsequent section “About This Edition.”\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53472137642302,"sku":"51489807","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51489807-wl.jpg?v=1778649190"},{"product_id":"piano-sonatas-volume-i-piano-solo-1","title":"Piano Sonatas - Volume I — Piano Solo (Piano)","description":"\u003cp\u003eWhen Günter Henle founded his Urtext publishing house in 1948, the first work in the catalogue was the two volume edition of all of Mozart's piano sonatas. Even today they still bear our numbers HN 1 and HN 2. Over the years both of the volumes have been revised several times so that the musical text always reflects the latest in scholarly research. The manuscripts have survived for many of Mozart's sonatas, and for some of his works he made slight changes to the text before printing. For this reason we provide both version in such cases. The editor's preface and critical commentary provide detailed information concerning all of the sources and questions regarding the text.\u003c\/p\u003e","brand":"G. 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And it goes without saying that the “Fantasy” version can also be played using our edition.\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53472278217022,"sku":"51480838","price":40.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51480838_1.jpg?v=1778651367"},{"product_id":"nocturne-piano","title":"Nocturne — Piano","description":"\u003cp\u003eThis piece is straightforward in its construction but highly advanced in its harmonies, and links up with the widely popular, 19th-century tradition of the “night piece” or “nocturne” for piano. Its themes and modulations are highly reminiscent of Gabriel Fauré, but in its chromatic voice-leading and unusual treatment of metre – such as in the 7\/4 central section – Debussy makes a statement all of his own. Nothing is known about the history of its composition. Debussy's 1892 contract with his publisher states merely that the composer had originally called it “Interlude,” but then decided upon the far more suitable title of “Nocturne.” One of Debussy's most popular early piano works, it is now available in a Henle Urtext edition.\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53472278577470,"sku":"51481087","price":8.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51481087_1.jpg?v=1778651374"},{"product_id":"piano-works-volume-1-clothbound","title":"Piano Works — Volume 1 Clothbound","description":"\u003cp\u003eTo mark the 150th anniversary of Debussy's birth in 2012, Henle is proud to present a tribute to his piano solo works in three volumes, available as a paperbound or a clothbound edition. As a publishing house whose main focus is on piano music, it was important for Henle to give a special place to the works of Claude Debussy, the innovator of piano style. Thus since the early 1980s they have steadily been publishing single editions of all of Debussy's important works for the piano. Their editor Ernst-Günter Heinemann has worked closely with the French Debussy scholar François Lesure to present Debussy's elaborate music in high quality Urtext editions. Beginning with the “Danse bohémienne” from 1880, all of the single works from their catalog have been drawn together in these three volumes, arranged according to their date of composition. And as a little “encore” we have included the Prélude to the cantata “La Damoiselle élue” in volume I. Each of the three volumes contains true highlights for the piano. But the short and lesser known works also offer a glimpse at the modern classical composer Debussy from a different angle. In addition each volume contains a helpful glossary with all of Debussy's often very vivid performance instructions translated into English and German. Bon anniversaire, Claude Debussy!\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53472278774078,"sku":"51481193","price":114.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51481193_1.jpg?v=1778651379"},{"product_id":"fantasy-piece-in-g-minor-for-clarinet-and-piano","title":"Fantasy Piece in G minor — for Clarinet and Piano","description":"\u003cp\u003eCarl Nielsen's Fantasy Piece for clarinet and piano is an early work, written between the ages of 16 and 18. This edition is based on the sole surviving source, long considered a copy, in Copenhagen's Royal Library, which has since been identified as an autograph manuscript.\u003c\/p\u003e","brand":"G. 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Fold-out pages in the parts allow for optimum page turns.\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53472282378558,"sku":"51489214","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51489214_1.jpg?v=1778651403"},{"product_id":"morceau-symphonique-op-88-and-morceau-de-lecture-trombone-and-piano","title":"Morceau Symphonique Op. 88 and Morceau De Lecture — Trombone and Piano","description":"\u003cp\u003eAlexandre Guilmant was one of the greatest representatives of the French Romantic organ school, and composed almost exclusively for his instrument. A rare exception is this “Morceau symphonique,” written in 1902 for the Paris Conservatoires annual trombone class competition. The charming piece soon found its way into the repertoire – as did Saint-Saëns's “Cavatine” (HN 1119) – and is today among the essential standard works of trombone literature. The “Morceau symphonique” is here offered in its first-ever Urtext edition, based on the autograph and the first edition. We also offer here a particularly special treat: the sight-reading piece that Guilmant wrote for the same competition, which had until now slumbered in the archives and is here published for the very first time.\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53472466796862,"sku":"51481090","price":18.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51481090_1.jpg?v=1778653262"},{"product_id":"string-quartet-d-minor-d-810-the-death-and-the-maiden-study-score","title":"String Quartet D minor D 810 The Death and the Maiden — Study Score","description":"\u003cp\u003eFranz Schubert composed the song “Death and the Maiden” in 1817, and in 1824 used that melody in the theme-and-variations second movement of his String Quartet in d minor D. 810. The song's popularity in the second half of the 19th century was responsible for the string quartet becoming known by the title “Death and the Maiden.” Like all of Schubert's mature chamber music works, it captivates with its technical perfection and high intellectual demands. Very prominent here is Schubert's desire to motivically link the movements together. Oddly enough, the work was neither performed nor published during his lifetime; the incomplete autograph score and the posthumous first edition of 1831 have thus served as the sources for our edition.\u003c\/p\u003e","brand":"G. 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What proved pioneering was how he made the symphony a prolific vehicle for developing musical ideas, ranging from the heroic, the sublime, or the emotions of country life, culminating in the appeal to fraternity in the choral finale to the Ninth. Now Beethoven's symphonies are available in nine handy study editions, based on the musical text of reference from the Beethoven Complete Edition and collected in a practical slipcase. A wonderful gift for every devotee of the great Viennese master, at an attractive price!\u003c\/p\u003e","brand":"G. 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The next quartet, op. 74 in E flat Major, was also given a nickname: thanks to extended pizzicato passages in the first movement, it is frequently called the “Harp Quartet.” The F minor Quartet op. 95, in turn, bears in the autograph title “Quartet serioso”. All five quartets are mature masterworks which demand high interpretative and technical mastery.\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53472723435838,"sku":"51489268","price":43.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51489268_1.jpg?v=1778655356"},{"product_id":"works-for-piano-four-hands","title":"Works for Piano Four-Hands","description":"\u003cp\u003eWith the exception of the version of the “Grand Fugue” for piano four hands (HN 954), this volume contains all of Beethoven's works for this scoring, to which he only rarely turned. It comprises the Sonata in D major op. 6, the “Three Marches” op. 45, the “Eight Variations on a theme of Count von Waldstein” WoO 67 and the “Six Variations on the Song Ich denke dein” WoO 74 - all of these works are very well-suited to piano teaching. The musical text was revised to follow the recently published Critical Report of the Beethoven Complete Edition, and is now accompanied by new explanatory texts. The piano duo specialist Andreas Groethuysen has also provided fingerings for this work.\u003c\/p\u003e","brand":"G. Henle Verlag","offers":[{"title":"Default Title","offer_id":53473056063806,"sku":"51480568","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51480568_1.jpg?v=1778657719"},{"product_id":"fantasy-pieces-op-2-oboe-and-piano","title":"Fantasy Pieces Op. 2 — Oboe and Piano","description":"\u003cp\u003eCarl Nielsen's Fantasy Pieces for oboe and piano were composed in 1889\/90. Having just gained a position as a violinist in the Royal Danish Orchestra, Nielsen had already experienced success with his String Suite Op. 1 both as a composer and as a conductor. Several sketches and autographs bear witness to his intensive work on these contrasting pieces for oboe, which were to appear in 1890 as his Opus 2. The two movements, Romance and Humoreske, are dedicated to the oboist Olivo Krause who played in the royal orchestra. His beautiful tone and virtuosic technique probably played no small part in the fact that these miniatures by the “young, talented composer” took the public and critics by storm at their first performance in March 1891.\u003c\/p\u003e","brand":"G. 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