{"title":"Sparke, Philip","description":"\u003cp\u003ePhilip Allen Sparke is an English composer and musician born in London, noted for his concert band and brass band music. His early major works include The Land of the Long White Cloud – \"Aotearoa\", written for the 1980 Centennial New Zealand Brass Band championship. He subsequently went on to win the EBU New Music for Band Competition three times, including in 1986 with a commission from the BBC called Orient Express.\u003c\/p\u003e\u003cp\u003eEnglish wind-band and brass-band composer. Music of the Spheres, Year of the Dragon.\u003c\/p\u003e","products":[{"product_id":"veni-immanuel-meditation-on-o-come-o-come-immanuel-grade-2-5-score-and-parts","title":"Veni Immanuel (Meditation on O Come, O Come, Immanuel) — Grade 2.5 - Score and Parts","description":"\u003cp\u003eThe Advent hymn we all know today as “O Come, O Come, Immanuel” was arranged in its modern form by Thomas Helmore and published in \u003ci\u003eHymnal Noted\u003c\/i\u003e in 1856. 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Apart from that, all we can say is, judging from the style of much of his dance music, one of his legs was shorter than the other! \u003ci\u003eClarinet Polka\u003c\/i\u003e is perhaps his best-known work and has become a sort of anthem for the village of Unterbingen, where the residents now hate the piece. 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The composer used this suggestion to write a piece that was both bright and light in terms of harmony, color and orchestration, with much use of simple major and minor chords and an emphasis on the pure, transparent timbres of the upper woodwinds of the band; he was also keen to capture the essence and history of the oboe as a solo instrument. The piece is pastoral in character and often almost baroque in style. It opens with a chorale-like passage on flutes and clarinets; the soloist enters with a recitative over trilling clarinets. The main theme is then introduced, accompanied by the woodwinds. After a short bridge passage, a change of key heralds a second theme by the soloist, with gentle brass punctuations. This builds to a climax, ending on a high trill from the soloist. After short passage over a timpani roll, the band recalls the main theme, taken up once again by the soloist. 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