{"title":"Henle Urtext Edition","description":"\u003cstyle\u003e\n.tmc-bp{--bg:oklch(0.16 0.014 50);--bg-2:oklch(0.22 0.015 55);--bg-cream:oklch(0.93 0.025 78);--bg-stone:oklch(0.32 0.018 60);--ink-1:oklch(0.99 0.012 80);--ink-2:oklch(0.93 0.012 80);--ink-3:oklch(0.80 0.010 78);--ink-cream:oklch(0.20 0.020 50);--ink-cream-2:oklch(0.36 0.020 50);--hair:oklch(0.65 0.012 80 \/ 0.55);--gold:oklch(0.84 0.13 82);--gold-deep:oklch(0.62 0.13 70);--sheen:oklch(0.92 0.08 82);--serif:'Cormorant Garamond','Times New Roman',serif;--sans:'Inter',-apple-system,BlinkMacSystemFont,sans-serif;--mono:'JetBrains Mono',ui-monospace,monospace;--max:1640px;background:var(--bg);color:var(--ink-1);font-family:var(--sans);line-height:1.55;display:block;margin:0 -16px;padding:0}\n.tmc-bp *,.tmc-bp *::before,.tmc-bp *::after{box-sizing:border-box}\n.tmc-bp a{color:inherit;text-decoration:none;transition:.25s}\n.tmc-bp .container{max-width:var(--max);margin:0 auto;padding:0 clamp(20px,4vw,72px)}\n.tmc-bp 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.lbl{font-family:var(--mono);font-size:9.5px;letter-spacing:.28em;text-transform:uppercase;color:var(--ink-3);margin-top:12px}\n.tmc-bp .below-grid-divider{padding:clamp(28px,4vw,64px) 0 clamp(12px,2vw,28px);text-align:center;background:var(--bg)}\n.tmc-bp .below-grid-divider .ka{font-family:var(--mono);font-size:11px;letter-spacing:.32em;text-transform:uppercase;color:var(--gold);margin-bottom:16px}\n.tmc-bp .below-grid-divider h3{font-family:var(--serif);font-weight:300;font-size:clamp(28px,3.6vw,52px);line-height:1.05;letter-spacing:-.018em;color:var(--ink-1);margin:0;max-width:24ch;margin-left:auto;margin-right:auto}\n.tmc-bp .below-grid-divider h3 em{font-style:italic;color:var(--gold)}\n@media (max-width:980px){.tmc-bp .essay-grid{grid-template-columns:1fr;gap:32px}.tmc-bp .meta{grid-template-columns:repeat(2,1fr);gap:20px}}\n@media (max-width:780px){.tmc-bp .facts-grid{grid-template-columns:repeat(2,1fr);gap:24px 0}.tmc-bp .fact{border-right:0;padding:0 14px}.tmc-bp .fact:nth-child(odd){border-right:1px solid rgba(212,175,99,.18)}}\n\u003c\/style\u003e\u003cdiv class=\"tmc-bp\"\u003e\n\n\u003cdiv class=\"hero\" style=\"min-height:62vh;background:radial-gradient(ellipse 120% 100% at 30% 50%,#1a2438 0%,#0e1525 50%,#070a11 100%)\"\u003e\n\u003cdiv class=\"hero-content\"\u003e\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"eyebrow\"\u003eThe Network · München · Since 1948\u003c\/div\u003e\n\u003ch1 class=\"h1\"\u003e\n\u003cem\u003eHenle\u003c\/em\u003e Urtext.\u003c\/h1\u003e\n\u003cp class=\"sub\"\u003eFounded \u003cem\u003e1948\u003c\/em\u003e in Munich by Günter Henle (1899–1979). The international standard for \u003cem\u003eurtext\u003c\/em\u003e editions of the Classical and early-Romantic piano and chamber repertoire. Blue cover. Editorial-board scholarship. The reference you reach for when in doubt.\u003c\/p\u003e\n\u003cdiv class=\"meta\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eRegion\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eMünchen · DE\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eFounded\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003e1948\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eSpecialty\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003eUrtext · Reference\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eCatalogue\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003e\n\u003cem\u003e1,500+\u003c\/em\u003e titles\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003csection class=\"essay\"\u003e\u003cdiv class=\"essay-grid\" style=\"grid-template-columns:1fr;max-width:900px;margin:0 auto\"\u003e\n\u003cdiv class=\"essay-text\"\u003e\n\u003cdiv class=\"kicker\"\u003eHenle · The Urtext Discipline\u003c\/div\u003e\n\u003ch2\u003eThe reference,\u003cbr\u003enot the \u003cem\u003einterpretation\u003c\/em\u003e.\u003c\/h2\u003e\n\u003cp\u003eGünter Henle founded the press to do one thing precisely: print performance editions of the standard repertoire that are \u003cem\u003enothing but\u003c\/em\u003e the composer's text — no editorial fingerings, slurs, or dynamics smuggled in unless flagged in apparatus.\u003c\/p\u003e\n\u003cp\u003eThe Henle editorial board, anchored at the Beethoven-Haus in Bonn and the Mozarteum in Salzburg, sets the global urtext standard. Bach, Mozart, Beethoven, Schubert, Chopin, Schumann, Brahms — what Henle publishes is what conservatories teach from.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"quote\"\u003e\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"mark\"\u003e“\u003c\/div\u003e\n\u003cq\u003eThe \u003cem\u003eurtext\u003c\/em\u003e. The reference.\u003c\/q\u003e\n\u003ccite\u003eHenle · since 1948\u003c\/cite\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"essay\" style=\"--bg-cream:oklch(0.90 0.025 75)\"\u003e\u003cdiv class=\"essay-grid\" style=\"grid-template-columns:1fr;max-width:900px;margin:0 auto\"\u003e\n\u003cdiv class=\"essay-text\"\u003e\n\u003cdiv class=\"kicker\"\u003eHenle · The Range\u003c\/div\u003e\n\u003ch2\u003ePiano, \u003cem\u003echamber\u003c\/em\u003e,\u003cbr\u003esolo, \u003cem\u003estudy\u003c\/em\u003e.\u003c\/h2\u003e\n\u003cp\u003ePiano solo (the centre of the catalogue); chamber music; instrumental sonatas with piano; the major concertos in study score; selected vocal and organ; a parallel \u003cem\u003eLibrary\u003c\/em\u003e series of paperback editions.\u003c\/p\u003e\n\u003cp\u003eThe blue Henle cover has been the conservatory standard for three generations. Distributed in the United States by Hal Leonard.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"facts\"\u003e\u003cdiv class=\"facts-grid\"\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003e1948\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eFounded · Günter Henle\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eUrtext\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eThe international standard\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eBlue\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eThe Henle cover\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eDE\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eMünchen · Beethoven-Haus\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"below-grid-divider\"\u003e\n\u003cdiv class=\"ka\"\u003eBrowse the current catalogue below\u003c\/div\u003e\n\u003ch3\u003eThe current \u003cem\u003eHenle Urtext\u003c\/em\u003e catalogue —\u003cbr\u003epiano, chamber, \u003cem\u003esolo\u003c\/em\u003e, study.\u003c\/h3\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","products":[{"product_id":"piano-sonata-in-e-flat-major-k282-189g-piano-solo","title":"Piano Sonata in E Flat Major K282 (189g) — Piano Solo","description":"\u003cp\u003eMozart's only piano sonata in E-flat major was probably written during his stay in Munich in early 1775. Its first movement – an Adagio, unconventionally – is one of those pieces by the young genius that are immediately and profoundly touching. Two minuets follow, inspired by the timbre of woodwinds; and a quick finale in 2\/4 with a striking opening motive concludes this masterwork of medium difficulty. Mozart's clean manuscript copy is the only editorially relevant source, all the early print editions having proved flawed.\u003c\/p\u003e","brand":"Henle Urtext Edition","offers":[{"title":"Default Title","offer_id":53471226790206,"sku":"51480060","price":10.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51480060-wl.jpg?v=1778663505"},{"product_id":"trio-in-e-flat-major-k-498-kegelstatt-revised-edition-piano-clarinet-violin-and-viola-score-and-parts","title":"Trio in E-flat Major K. 498 (Kegelstatt) — Revised Edition Piano, Clarinet (Violin) and Viola Score and Parts","description":"\u003cp\u003eWas this skilfully composed work really written during a game of ninepins? The legend persists, although there is no reliable source. At all events the unusual instrumentation is of note: having a clarinet instead of the violin was by all means usual in piano trios; but in addition Mozart replaced the cello with a viola, his favourite instrument by his own admission. As a result the viola has a much stronger part than the cello usually has. Our single edition of this buoyant work was taken from the volume containing the complete piano trios (HN 247) which was revised and includes the latest scholarly findings.\u003c\/p\u003e","brand":"Henle Urtext Edition","offers":[{"title":"Default Title","offer_id":53471227019582,"sku":"51480063","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51480063_1.jpg?v=1778631851"},{"product_id":"chants-despagne-op-232-piano-solo","title":"Chants d'Espagne Op. 232 — Piano Solo","description":"\u003cp\u003eCatalan piano virtuoso and composer Isaac Albeniz received his musical training under Liszt, Vincent d'Indy and Paul Dukas, among others. Today's pianists mostly dedicated themselves to Albeniz's extensive piano cycle “Iberia”, which he wrote towards the end of his life. The more attractive five-movement suite “Chants d'Espagne” op. 232, with movement titles such as “Sous le Palmier” (Under the palm tree) or “Córdoba”, was written in the 1890s. All the attributes of Albéniz the piano composer are present here: the form of the miniature-like character pieces, a richly colored piano texture and the folksong sound with a Spanish flavor. The trade press has written about our Urtext edition with its detailed preface: “Henle's editor, Ullrich Scheideler, works very precisely and clearly with regard to discrepancies and errors that evolved in previous generations. Rolf Koenen's fingerings are balanced and intelligent.”\u003c\/p\u003e","brand":"Henle Urtext Edition","offers":[{"title":"Default Title","offer_id":53471227248958,"sku":"51480782","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51480782-wl_13288eab-833a-49fa-8c22-2b41dfb51b71.jpg?v=1778788078"},{"product_id":"string-quintet-c-major-op-posth-163-d-956","title":"String Quintet C Major Op. Posth. 163 D 956","description":"\u003cp\u003eNo music lover can remain untouched by the emotional quality of this work, composed in Schubert's last year. The monumental weight of the outer movements, the intimate lyricism of the “Adagio,” as well as the unusual timbre ensure the uniqueness of this quintet. An additional cello, which takes on an essential melodic role, joins the classical string quartet. The editor of our new Urtext edition, Egon Voss, not only does justice to the difficult source situation; with new and convincing solutions for difficult page turns, he also takes into account the demands of musical practice.\u003c\/p\u003e","brand":"Henle Urtext Edition","offers":[{"title":"Default Title","offer_id":53471227347262,"sku":"51480812","price":45.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51480812_1.jpg?v=1778631857"},{"product_id":"espa-a-op-165-piano-solo","title":"Espaa, Op. 165 — Henle Music Folios","description":"\u003cp\u003eWhen the Catalan composer Albéniz wrote his six album leaves \u003ci\u003eEspaña\u003c\/i\u003e at the age of 30, he was in London and his piano recitals were causing sensation. At these concerts he often performed his own compositions which were infused with the flair of his home country. Albéniz also gave the first performance of the piano cycle \u003ci\u003eEspaña\u003c\/i\u003e in London, taking his audience on a journey through the Spanish countryside: exotic dance rhythms (\u003ci\u003eZortzico\u003c\/i\u003e) and melodic folk tunes (\u003ci\u003eSerenata\u003c\/i\u003e) are preceded by the famous \u003ci\u003eTango\u003c\/i\u003e, made known through many arrangements.\u003c\/p\u003e","brand":"Henle Urtext Edition","offers":[{"title":"Default Title","offer_id":53471227478334,"sku":"51480857","price":24.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51480857_1.jpg?v=1778631859"},{"product_id":"vers-la-flamme-po-me-op-72","title":"Vers la flamme (Pome), Op. 72 — Henle Music Folios","description":"\u003cp\u003eScriabin's ideal of music as part of a synthesis of the arts, raising people to a higher level of consciousness, is particularly apparent in his late work “Vers la flamme” op. 72. The poème opens with static, rough chords, and then slowly but steadily rises from the depths to the bright light above. Diverse levels of sound in changing rhythms gradually move above one another and create a suction-like tension. At the close, tremolos and fanfares tower up to a blazing conflagration of orchestral intensity. The Scriabin expert Valentina Rubcova knowledgeably sheds light on this suggestive work in the accompanying texts to this Henle Urtext edition.\u003c\/p\u003e","brand":"Henle Urtext Edition","offers":[{"title":"Default Title","offer_id":53471227642174,"sku":"51481015","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51481015_1.jpg?v=1778631862"},{"product_id":"overture-to-tannhauser-concert-paraphrase-for-piano-solo","title":"Overture to Tannhauser — Concert Paraphrase for Piano Solo","description":"\u003cp\u003eLooking back in 1876, Liszt admitted candidly to the publisher Breitkopf \u0026amp; Härtel that his “Wagner Transcriptions” had “only served as modest propaganda for Wagner's noble genius, using the meager possibilities of the piano.” In fact, around 1850, Wagner's operas \u003ci\u003eDer Fliegende Holländer, Tannhäuser\u003c\/i\u003e and \u003ci\u003eLohengrin\u003c\/i\u003e – which would later be so successful – were only being performed at the Weimar Court Theatre under Liszt's baton. Liszt was inspired to compose his Tannhäuser Paraphrase by performances in Weimar of the overture in 1848 and of the whole opera in February 1849. Liszt's piano arrangement of the overture is a technically brilliant piece of the highest order. It is a further milestone in Henle's series of Liszt's Wagner arrangements.\u003c\/p\u003e","brand":"Henle Urtext Edition","offers":[{"title":"Default Title","offer_id":53471227806014,"sku":"51481066","price":20.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51481066_1.jpg?v=1778631864"},{"product_id":"quejas-o-la-maja-y-el-ruisenor-no-4-from-goyescas-piano","title":"Quejas O La Maja Y El Ruisenor — No. 4 from Goyescas Piano","description":"\u003cp\u003eThis “Lament, or the maiden and the nightingale” is the fourth movement of Granados' six-part piano cycle Goyescas (1909-11). 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Both sonatas – along with the preceding sonata with the funeral march op. 26, and the thre sonatas op. 31 soon to follow – usher in Beethoven's conquest of new musical territory in this genre. With a complex structure that oscillates between fantasia and sonata, op. 27 no. 1 has long presented pianists with great interpretive challenges that, once they have been overcome, bring to light a true jewel. G. Henle Publishers now also offers this sonata in a new edition, with proven fingering and interpretive suggestions by Murray Perahia and edited by the team of Beethoven experts Gertsch and Perahia.\u003c\/p\u003e","brand":"Henle Urtext Edition","offers":[{"title":"Default Title","offer_id":53471228526910,"sku":"51481330","price":13.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51481330_1.jpg?v=1778631876"},{"product_id":"transfigured-night-op-4-string-sextet-set-of-parts","title":"Transfigured Night Op. 4 — String sextet, set of parts","description":"\u003cp\u003eIn setting Richard Dehmel's poem “Verklärte Nacht” (Transfigured Night) in his op. 4, the young Arnold Schönberg pursued the intention, as he himself said, of “attempting those new forms in chamber music which have been created in orchestral music based on a poetic idea”. Composed in September 1899 in a few weeks whilst he was on holiday, the Sextet incorporates the ideas of the symphonic poem in its programmatic character and its one-movement form, and also displays late Romantic traits in its opulent tone. Already at its premiere in 1902 in Vienna, the special quality of the work was recognised, characterised by “peculiar sound combinations and groundbreaking figures”, a work which was to become a true modern classic in the 20th century. 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Prefixed to this Urtext edition is a detailed preface by the editor that provides information about the trio's genesis, dedicatees and notational idiosyncrasies. The piano largely dominates in these “sonatas for the pianoforte with accompaniment of violin and violoncello”, as they were titled in the first edition. In fact, for long stretchess the violin doubles the right hand of the piano at the unison (with the violoncello doing the same for the piano left-hand part). 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Just these two exquisite duos for violin and viola come from this period, and even they were apparently written as a friendly favor for Salzburg composer Michael Haydn (younger brother of Joseph Haydn), who for reasons of acute ill health was unable to complete a commissioned composition. Henle's Urtext edition is based on the carefully notated autograph manuscripts; the first edition appeared only in 1792, shortly after Mozart's death, making its value as a source debatable. 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Franz Beyer, the authority on string quartets, with regard to this new issue: “The most significant edition over the last twenty years worldwide!”\u003c\/p\u003e","brand":"Henle Urtext Edition","offers":[{"title":"Default Title","offer_id":53471335219518,"sku":"51480742","price":36.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51480742_1.jpg?v=1778633665"},{"product_id":"isaac-alb-niz-tango-piano","title":"Isaac Albniz - Tango — Henle Music Folios","description":"\u003cp\u003e“Señor Albéniz may well inscribe upon his escutcheon the words 'Veni, vidi, vici.'” The London press thus commented on the Spaniard's triumphal tour of Britain between 1889 and 1893. It was in the British Isles of all places that Albéniz increasingly turned to subjedts from his native country, composing \u003ci\u003eEspaña\u003c\/i\u003e (HN 857) amongst other things. 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The rhapsody was dedicated to Joseph Joachim; it was so popular that the original version for piano was soon arranged for violin and piano, for piano four hands and also for orchestra. We now present the original in proven Urtext quality. As with all the other rhapsodies published to date, a preface by the Hungarian Liszt scholar Mária Eckhardt precedes the musical text.\u003c\/p\u003e","brand":"Henle Urtext Edition","offers":[{"title":"Default Title","offer_id":53471336628542,"sku":"51480806","price":16.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51480806_1.jpg?v=1778633674"},{"product_id":"pr-ludes-piano-solo","title":"Prludes — Henle Music Folios","description":"\u003cp\u003eFréderic Chopin's stay with George Sand on Mallorca in the winter 1838\/1839 was ill-fated. Yet Chopin still managed to finish his “Préludes” there which he had begun to compose in Paris. 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Now that the Scherzi nos. 1-4 have been published in revised stand-alone editions, G. Henle Publishers is now offering all four in paperback and hardback, in an edition that reflects the current state of Chopin research. Both the footnotes and the extensive Critical Report on the Internet offer detailed information on the familiar topic of “Chopin variants” and on all the textual problems they raise. 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Wolf-Dieter Seiffert, the editor of this new Henle Urtext edition, already penned the Critical Report for these Haydn Quartets in the New Mozart Edition, 25 years ago. He is now presenting this core repertoire in an edition of its own. This Urtext edition clarifies numerous inaccuracies in other editions, especially with regard to dynamics and articulation, and even corrects a few wrong notes that had gone unnoticed up to now. 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Thus the Italian pianist and composer helped fashion the entire Classical era in music. Following our first volume of selected piano sonatas, from 1768-85, advanced pianists can become acquainted in this second volume with the unique features of eight later, harder-to-play sonatas from the second half of the composer's creative period (1790-1805). Worthy of particular mention is the concluding Sonata in A major from Clementi's last, crowning sonata collection, the opus 50. 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They are experiments – laboratory work in American music.” For his edition, Norbert Gertsch reviewed a multitude of autograph and printed sources in the USA and for the first time presents an Urtext edition of this very popular piano concerto suffused by the jazz idiom. At the same time, Breitkopf \u0026amp; Härtel offers both the full score and orchestral parts by the same editor.\u003c\/p\u003e","brand":"Henle Urtext Edition","offers":[{"title":"Default Title","offer_id":53471483920702,"sku":"51480859","price":39.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51480859-wl.jpg?v=1778635453"},{"product_id":"duet-with-two-obligato-eyeglasses-woo-32-viola-and-violoncello-set-of-parts","title":"Duet with Two Obligato Eyeglasses, WoO 32 — Viola and Violoncello Set of Parts","description":"\u003cp\u003eBeethoven probably originally planned a complete string duo with four movements. 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It contains an inexhaustible treasure of pianistic and musical mastery, setting technically challenging works with a high level of name-recognition, such as the “Pathétique,” “Moonlight,” “Tempest,” “Waldstein,” “Appassionata,” and “Hammerklavier” sonatas, alongside other, less difficult works. 51480032 and 51480034 include Conrad Hansen's much-admired fingerings; for those who want an Urtext edition without the fingerings Henle now offers 51481032 and 51481034. 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Written in 1867, the G-major Violin Sonata op. 13, palpably draws on Grieg's enthusiasm for Norwegian folk music; the lively outer movements in particular take as their model the traditional “jumping dance.” Aside from the second print edition of 1887 revised by Grieg himself, the autograph manuscript in Stockholm was also consulted for this edition, thus offering an optimally ascertained musical text.\u003c\/p\u003e","brand":"Henle Urtext Edition","offers":[{"title":"Default Title","offer_id":53471485133118,"sku":"51481105","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51481105_1.jpg?v=1778635465"},{"product_id":"toccatas-bwv-910-916-edition-without-fingering","title":"Toccatas BWV 910-916 — Edition Without Fingering","description":"\u003cp\u003eBach most likely composed his Toccatas in his early creative years, between 1707 and 1713; they can be seen as the products of Bach's own “Sturm und Drang” period, and were not planned as an interconnected work cycle, but as autonomous works written at different times. 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Alongside the technical challenges (stopped notes, fast scales, playing without valves using natural horn techniques), the piece is successful because of its refreshing melodies, for which reason the Villanelle is still one of the most popular performance pieces for the horn. 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Clear the stage for the new reference edition of this indispensable work of the string-orchestra repertoire!\u003c\/p\u003e","brand":"Henle Urtext Edition","offers":[{"title":"Default Title","offer_id":53471485755710,"sku":"51481550","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/51481550-wl.jpg?v=1778635475"},{"product_id":"piano-concerto-no-26-d-major-k-537-2-pianos-4-hands","title":"Piano Concerto No. 26 D Major K. 537 — 2 Pianos, 4 Hands","description":"\u003cp\u003eAlthough Mozart's penultimate piano concerto was completed on 24 February 1788, it was not premiered until 1789 in Dresden. 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This culminated in their publication in an anthology that proudly sports the opus number “1” in 1731. Their diversity of forms knows no bounds and the musical texture is infused with the most ingenious counterpoint, but at the same time performers will not miss out on the enjoyment of virtuosic playing in any way. G. Henle Publishers presents this magnum opus in a revised Urtext edition that consults the original editions as well as autograph sources while also extensively documenting the numerous entries in correction copies from Bach's circle.\u003cbr\u003e\u003cbr\u003eIn keeping with Bach's model, the 5th Partita, in G major, is available both in the collective volume and in a handy, inexpensive separate edition that is ideal for advanced learners and for self-study. The helpful fingerings by pianist William Youn are notable for their particular ergonomics, and carefully follow the phrasing and sense of Bach's music. 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Claude Debussy wrote of “Iberia”: “One closes one's eyes and is bedazzled by the sheer wealth of invention in this music!” To be sure, closing one's eyes only works to a limited extent when you place this late-Romantic masterpiece, the four books of which are united here in Henle Urtext quality in a single edition, on the music stand. The pianistic challenge grows with the number of pages. 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Since the publication of our complete edition in two volumes, experts have praised it as being the most reliable Urtext edition. 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