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.fact:nth-child(odd){border-right:1px solid rgba(212,175,99,.18)}}\n\u003c\/style\u003e\u003cstyle\u003e\n.tmc-bp .hero{background:radial-gradient(ellipse 120% 100% at 30% 50%,#1a2a1c 0%,#0f1810 50%,#070c07 100%)}\n\u003c\/style\u003e\u003cdiv class=\"tmc-bp\"\u003e\n\n\u003cdiv class=\"hero\" style=\"min-height:54vh\"\u003e\n\u003cdiv class=\"hero-content\"\u003e\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"eyebrow\"\u003eThe Network · Choral\u003c\/div\u003e\n\u003ch1 class=\"h1\"\u003e\u003cem\u003eSalabert\u003c\/em\u003e\u003c\/h1\u003e\n\u003cp class=\"sub\"\u003eAn imprint within the Hal Leonard distribution network. The \u003cem\u003eSalabert\u003c\/em\u003e catalogue runs to \u003cem\u003e67\u003c\/em\u003e active titles — primarily softcover, octavo.\u003c\/p\u003e\n\u003cdiv class=\"meta\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eCatalogue\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003e\n\u003cem\u003e67\u003c\/em\u003e titles\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eSpecialty\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003eChoral\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eLead format\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003eSoftcover\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eUS distribution\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eHal Leonard\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003csection class=\"essay\"\u003e\u003cdiv class=\"essay-grid\" style=\"grid-template-columns:1fr;max-width:900px;margin:0 auto\"\u003e\n\u003cdiv class=\"essay-text\"\u003e\n\u003cdiv class=\"kicker\"\u003eSalabert · Reading the Voicing\u003c\/div\u003e\n\u003ch2\u003eA house for \u003cem\u003esingers\u003c\/em\u003e.\u003c\/h2\u003e\n\u003cp\u003eChoral publisher writing for school, college, church, and community ensembles. The catalogue is built around practical voicings — SATB with optional descant, SAB and two-part work, treble and TTBB material — composed with rehearsal-room realities in mind.\u003c\/p\u003e\n\u003cp\u003eEditions are clean, range-aware, and accompaniment-sensible. The house's editorial standard is set by working choral conductors.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"quote\"\u003e\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"mark\"\u003e\"\u003c\/div\u003e\n\u003cq\u003eBuilt for \u003cem\u003esingers\u003c\/em\u003e.\u003c\/q\u003e\n\u003ccite\u003eSalabert\u003c\/cite\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"essay\" style=\"--bg-cream:oklch(0.90 0.025 75)\"\u003e\u003cdiv class=\"essay-grid\" style=\"grid-template-columns:1fr;max-width:900px;margin:0 auto\"\u003e\n\n\u003cdiv class=\"essay-text\"\u003e\n\u003cdiv class=\"kicker\"\u003eSalabert · Across the Range\u003c\/div\u003e\n\u003ch2\u003e\n\u003cem\u003eSATB\u003c\/em\u003e, \u003cem\u003eSAB\u003c\/em\u003e,\u003cbr\u003etreble, \u003cem\u003eTTBB\u003c\/em\u003e.\u003c\/h2\u003e\n\u003cp\u003eMixed concert; sacred anthems; SAB and two-part for developing choirs; treble and women's chorus; men's and TTBB; jazz choral; world-music settings; seasonal collections.\u003c\/p\u003e\n\u003cp\u003eDistributed in the United States by Hal Leonard.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"facts\"\u003e\u003cdiv class=\"facts-grid\"\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003e67\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eActive titles\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003eSoftcover\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eLead format\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003eSATB\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eTop voicing\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eHL\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eUS distribution\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"below-grid-divider\"\u003e\n\u003cdiv class=\"ka\"\u003eBrowse the current catalogue below\u003c\/div\u003e\n\u003ch3\u003eThe current \u003cem\u003eSalabert\u003c\/em\u003e catalogue —\u003cbr\u003echoral via \u003cem\u003eHal Leonard\u003c\/em\u003e.\u003c\/h3\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","products":[{"product_id":"grand-motets-volume-2-jubilatae-deo-score","title":"Grand Motets Volume 2 Jubilatae Deo Score","description":"\u003cp\u003e\u003cstrong\u003eGrand Motets Volume 2 Jubilatae Deo Score\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003ePublished by Salabert. Distributed through The Musicians Club.\u003c\/p\u003e\u003cp\u003eType: Sheet Music.\u003c\/p\u003e\u003cp\u003eAuthorized dealer. Concierge sourcing available for related editions and out-of-stock variants.\u003c\/p\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":53472093307198,"sku":"50485875","price":45.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/99991608-wl_02a887b0-7db6-4340-aded-bce19cb3a41e.jpg?v=1778664936"},{"product_id":"sonatine-bureaucratique-for-piano","title":"Sonatine bureaucratique — for Piano","description":"\u003cp\u003eThese new, completely revised editions are based on Robert Orledge's critical edition of Satie's works for piano. 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Le Voyageur sans bagage [The Traveller Without Luggage], which had been premiered in 1937 with music by Darius Milhaud, was reprised on 1 April 1944 at the Théâtre de la Michodière; Francis Poulenc was asked to compose new stage music. The entire unpublished score lay undiscovered until Bérengère de l'Épine, a librarian at the Bibliotèque Historique de la Ville de Paris, announced the existence of a manuscript in the Association de la Régie Théâtrale collection. Poulenc finalised the score between 19 and 21 March 1944. 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Honeggers use of pentatonic modes throughout the entire piece is equally remarkable and creates an immediately recognisable stylistic unity. 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