{"title":"The Musicians Club","description":"\u003cstyle\u003e\n.tmc-bp{--bg:oklch(0.16 0.014 50);--bg-2:oklch(0.22 0.015 55);--bg-cream:oklch(0.93 0.025 78);--bg-stone:oklch(0.32 0.018 60);--ink-1:oklch(0.99 0.012 80);--ink-2:oklch(0.93 0.012 80);--ink-3:oklch(0.80 0.010 78);--ink-cream:oklch(0.20 0.020 50);--ink-cream-2:oklch(0.36 0.020 50);--hair:oklch(0.65 0.012 80 \/ 0.55);--gold:oklch(0.84 0.13 82);--gold-deep:oklch(0.62 0.13 70);--sheen:oklch(0.92 0.08 82);--serif:'Cormorant Garamond','Times New Roman',serif;--sans:'Inter',-apple-system,BlinkMacSystemFont,sans-serif;--mono:'JetBrains Mono',ui-monospace,monospace;--max:1640px;background:var(--bg);color:var(--ink-1);font-family:var(--sans);line-height:1.55;display:block;margin:0 -16px;padding:0}\n.tmc-bp *,.tmc-bp *::before,.tmc-bp *::after{box-sizing:border-box}\n.tmc-bp a{color:inherit;text-decoration:none;transition:.25s}\n.tmc-bp .container{max-width:var(--max);margin:0 auto;padding:0 clamp(20px,4vw,72px)}\n.tmc-bp 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.lbl{font-family:var(--mono);font-size:9.5px;letter-spacing:.28em;text-transform:uppercase;color:var(--ink-3);margin-top:12px}\n.tmc-bp .below-grid-divider{padding:clamp(28px,4vw,64px) 0 clamp(12px,2vw,28px);text-align:center;background:var(--bg)}\n.tmc-bp .below-grid-divider .ka{font-family:var(--mono);font-size:11px;letter-spacing:.32em;text-transform:uppercase;color:var(--gold);margin-bottom:16px}\n.tmc-bp .below-grid-divider h3{font-family:var(--serif);font-weight:300;font-size:clamp(28px,3.6vw,52px);line-height:1.05;letter-spacing:-.018em;color:var(--ink-1);margin:0;max-width:24ch;margin-left:auto;margin-right:auto}\n.tmc-bp .below-grid-divider h3 em{font-style:italic;color:var(--gold)}\n@media (max-width:980px){.tmc-bp .essay-grid{grid-template-columns:1fr;gap:32px}.tmc-bp .meta{grid-template-columns:repeat(2,1fr);gap:20px}}\n@media (max-width:780px){.tmc-bp .facts-grid{grid-template-columns:repeat(2,1fr);gap:24px 0}.tmc-bp .fact{border-right:0;padding:0 14px}.tmc-bp .fact:nth-child(odd){border-right:1px solid rgba(212,175,99,.18)}}\n\u003c\/style\u003e\u003cdiv class=\"tmc-bp\"\u003e\n\u003cdiv class=\"hero\" style=\"min-height:62vh\"\u003e\n\u003cdiv class=\"hero-bg\" style=\"background-image:url('https:\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/NASH8002SCA-Inside_1024x1024_2x_c413360f-32a8-4264-910e-37ba169502e3.webp');\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"hero-content\"\u003e\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"eyebrow\"\u003eThe Atelier · The House Line\u003c\/div\u003e\n\u003ch1 class=\"h1\"\u003e\n\u003cem\u003eThe Musicians Club\u003c\/em\u003e.\u003c\/h1\u003e\n\u003cp class=\"sub\"\u003eThe house line — commission instruments built across the brass family, IKAT Nashville gig bags, the Titanium Barrel, and the working accessories voiced under the TMC bench ticket.\u003c\/p\u003e\n\u003cdiv class=\"meta\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eSpecialty\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eCommission \u0026amp; house\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eBrass\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003eTrumpet \/ Flügel \/ Slide\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eBags\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003eIKAT Nashville\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eCatalogue\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003eActive\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003csection class=\"essay\"\u003e\u003cdiv class=\"essay-grid\"\u003e\n\u003cdiv class=\"essay-text\"\u003e\n\u003cdiv class=\"kicker\"\u003eThe Musicians Club · Reading the House\u003c\/div\u003e\n\u003ch2\u003eThe \u003cem\u003ehouse\u003c\/em\u003e line.\u003c\/h2\u003e\n\u003cp\u003eThe Musicians Club’s own bench-ticket: commissions and house pieces voiced inside the atelier rather than imported from a catalogue.\u003c\/p\u003e\n\u003cp\u003eThe brass commissions across the family include the \u003cem\u003eBill Colletti Model\u003c\/em\u003e, the \u003cem\u003eTaylor “Phat Puppy”\u003c\/em\u003e (AL\/PIB), the \u003cem\u003eGen II\u003c\/em\u003e 2025 line in silver-plate and lacquer, plus a Bb\/G\/F three-harmonic-key convertible and single-key flügels in F, G, and Bb. The \u003cem\u003eSlide Flugelhorn G\u003c\/em\u003e sits beside, in the \u003cem\u003eCloudy\u003c\/em\u003e CL finish among others.\u003c\/p\u003e\n\u003cp\u003eThe accessory side carries the \u003cem\u003eIKAT Nashville\u003c\/em\u003e gig-bag line for trumpet, sax tenor, tenor trombone, and acoustic guitar — plus the \u003cem\u003eTitanium Barrel\u003c\/em\u003e, the dynamic-chamber accessory that gets specified by name on bench tickets.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"essay-image\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/IKATstraps2-1_2ce4faef-b109-4abf-bfc7-950bc1ef5194_1024x1024_2x_jpg.webp\" alt=\"IKAT Nashville Trumpet Gigbag\"\u003e\u003cspan class=\"caption\"\u003eIKAT Nashville · trumpet bag\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\u003csection class=\"quote\"\u003e\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"mark\"\u003e“\u003c\/div\u003e\n\u003cq\u003eCommissions and house pieces —\u003cbr\u003evoiced \u003cem\u003einside the atelier\u003c\/em\u003e.\u003c\/q\u003e\u003ccite\u003eThe Musicians Club · the house brief\u003c\/cite\u003e\n\u003c\/div\u003e\u003c\/section\u003e\u003csection class=\"essay\" style=\"--bg-cream:oklch(0.90 0.025 75)\"\u003e\u003cdiv class=\"essay-grid\"\u003e\n\u003cdiv class=\"essay-image\" style=\"aspect-ratio:5\/4\"\u003e\n\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/IKATstraps2-1_d635cc8c-b4c3-4103-8c97-55f07482c10c_1024x1024_2x_jpg.webp\" alt=\"Titanium Barrel\"\u003e\u003cspan class=\"caption\"\u003eThe Titanium Barrel\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"essay-text\"\u003e\n\u003cdiv class=\"kicker\"\u003eThe Range · House Brass \u0026amp; Accessories\u003c\/div\u003e\n\u003ch2\u003eHouse \u003cem\u003ebrass\u003c\/em\u003e,\u003cbr\u003ehouse \u003cem\u003eaccessories\u003c\/em\u003e.\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eCommissioned instruments\u003c\/em\u003e — Bill Colletti Model, Taylor Phat Puppy, Gen II silver-plate \u0026amp; lacquer (2025), Bb\/G\/F three-harmonic-key convertible, F \/ G \/ Bb single-key flügels, Slide Flugelhorn G, Cloudy-finish flügelhorn.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIKAT Nashville\u003c\/em\u003e gig bags — trumpet, sax tenor, tenor trombone, acoustic guitar.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTitanium Barrel\u003c\/em\u003e — the dynamic-chamber accessory.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\u003csection class=\"facts\"\u003e\u003cdiv class=\"facts-grid\"\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eComm.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eCommission instruments\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eIKAT\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eNashville gig-bag line\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eTi\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eTitanium Barrel\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eHouse\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eTMC bench ticket\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\u003csection class=\"below-grid-divider\"\u003e\u003cdiv class=\"ka\"\u003eBrowse the TMC house range below\u003c\/div\u003e\n\u003ch3\u003eThe current \u003cem\u003eMusicians Club\u003c\/em\u003e house catalogue —\u003cbr\u003eatelier-direct, \u003cem\u003eatelier-verified\u003c\/em\u003e.\u003c\/h3\u003e\u003c\/section\u003e\n\u003c\/div\u003e","products":[{"product_id":"luis-almeida-guitar","title":"Luis Almeida - Guitar (Teacher)","description":"\u003cul\u003e\n\u003cli\u003eAble to do in-person teaching in \u003cspan\u003eMontreal - Plateau Mont-Royal.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHe is a Brazilian cellist and winner of the Olivier Toni Award for prominence in musical artistry from the University of São Paulo, one of the top universities in Latin America, where he received her B.A. in Cello Performance.\u003c\/li\u003e\n\u003cli\u003eDescribed as a versatile musician, he is sought after for a variety of projects, including baroque performance and touring with jazz\/alternative rock groups. He is also the founder of Musical Gym, a project dedicated to helping students achieve high-level practice, and Cello em Pauta, which focuses on discussing the history and craft of cello performance.\u003c\/li\u003e\n\u003cli\u003eHe serves as a director of the Agassiz Chamber Music Festival and created Glimpses of the Future, a competition held within the festival. After finishing his master’s degree at the University of Manitoba, he is currently a doctoral researcher at McGill University, where he also coaches chamber music groups. With a special admiration for composers Claudio Santoro, Francisco Mignone, and Villa-Lobos, his research explores the influence of folk music on Brazilian classical repertoire, reflecting his own musical journey. In 2024, he started the Acalanto Duo with Brazilian pianist Amanda Kohn, aiming to explore the plurality of Brazilian repertoire for cello and piano.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"The Musicians Club","offers":[{"title":"One-hour session","offer_id":50682663010622,"sku":"","price":60.0,"currency_code":"USD","in_stock":true},{"title":"Two-hour session","offer_id":50682687488318,"sku":"","price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/462535457_918583589789254_1030603524022270005_n.jpg?v=1730128502"},{"product_id":"luis-almeida-guitar-copy","title":"Luis Almeida - Cello (Teacher)","description":"\u003cul\u003e\n\u003cli\u003eAble to do in-person teaching in \u003cspan\u003eMontreal - Plateau Mont-Royal.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHe is a Brazilian cellist and winner of the Olivier Toni Award for prominence in musical artistry from the University of São Paulo, one of the top universities in Latin America, where he received her B.A. in Cello Performance.\u003c\/li\u003e\n\u003cli\u003eDescribed as a versatile musician, he is sought after for a variety of projects, including baroque performance and touring with jazz\/alternative rock groups. He is also the founder of Musical Gym, a project dedicated to helping students achieve high-level practice, and Cello em Pauta, which focuses on discussing the history and craft of cello performance.\u003c\/li\u003e\n\u003cli\u003eHe serves as a director of the Agassiz Chamber Music Festival and created Glimpses of the Future, a competition held within the festival. After finishing his master’s degree at the University of Manitoba, he is currently a doctoral researcher at McGill University, where he also coaches chamber music groups. With a special admiration for composers Claudio Santoro, Francisco Mignone, and Villa-Lobos, his research explores the influence of folk music on Brazilian classical repertoire, reflecting his own musical journey. 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As a trumpet player, He have held solo recitals in fulfillment of my college degrees. 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