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.fact:nth-child(odd){border-right:1px solid rgba(212,175,99,.18)}}\n\u003c\/style\u003e\u003cstyle\u003e\n.tmc-bp .hero{background:radial-gradient(ellipse 120% 100% at 30% 50%,#2a1c12 0%,#16100a 50%,#0a0805 100%)}\n\u003c\/style\u003e\u003cdiv class=\"tmc-bp\"\u003e\n\n\u003cdiv class=\"hero\" style=\"min-height:54vh\"\u003e\n\u003cdiv class=\"hero-content\"\u003e\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"eyebrow\"\u003eThe Network · Imprint\u003c\/div\u003e\n\u003ch1 class=\"h1\"\u003e\u003cem\u003eRoyer Labs\u003c\/em\u003e\u003c\/h1\u003e\n\u003cp class=\"sub\"\u003eAn imprint within the Hal Leonard distribution network. The \u003cem\u003eRoyer Labs\u003c\/em\u003e catalogue runs to \u003cem\u003e12\u003c\/em\u003e active titles — primarily microphone.\u003c\/p\u003e\n\u003cdiv class=\"meta\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eCatalogue\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003e\n\u003cem\u003e12\u003c\/em\u003e titles\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eSpecialty\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003eSheet music\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eLead format\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003eMicrophone\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"lbl\"\u003eUS distribution\u003c\/div\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eHal Leonard\u003c\/em\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\n\u003csection class=\"essay\"\u003e\u003cdiv class=\"essay-grid\" style=\"grid-template-columns:1fr;max-width:900px;margin:0 auto\"\u003e\n\u003cdiv class=\"essay-text\"\u003e\n\u003cdiv class=\"kicker\"\u003eRoyer Labs · Reading the Catalogue\u003c\/div\u003e\n\u003ch2\u003eThe \u003cem\u003eimprint\u003c\/em\u003e\u003cbr\u003ecatalogue.\u003c\/h2\u003e\n\u003cp\u003eAn imprint within the Hal Leonard distribution network — a house with its own editorial line and roster, carried in the United States through the Hal Leonard ordering system.\u003c\/p\u003e\n\u003cp\u003eCatalogue depth varies by season; the house's signings define the standard.\u003c\/p\u003e\n\u003c\/div\u003e\n\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"quote\"\u003e\u003cdiv class=\"container\"\u003e\n\u003cdiv class=\"mark\"\u003e\"\u003c\/div\u003e\n\u003cq\u003eThe \u003cem\u003eimprint\u003c\/em\u003e catalogue.\u003c\/q\u003e\n\u003ccite\u003eRoyer Labs\u003c\/cite\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"essay\" style=\"--bg-cream:oklch(0.90 0.025 75)\"\u003e\u003cdiv class=\"essay-grid\" style=\"grid-template-columns:1fr;max-width:900px;margin:0 auto\"\u003e\n\n\u003cdiv class=\"essay-text\"\u003e\n\u003cdiv class=\"kicker\"\u003eRoyer Labs · Across the Range\u003c\/div\u003e\n\u003ch2\u003e\n\u003cem\u003eSheet\u003c\/em\u003e, \u003cem\u003escore\u003c\/em\u003e,\u003cbr\u003emethod, \u003cem\u003ecollection\u003c\/em\u003e.\u003c\/h2\u003e\n\u003cp\u003eSheet music and study material across the publisher's editorial focus.\u003c\/p\u003e\n\u003cp\u003eDistributed in the United States by Hal Leonard.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"facts\"\u003e\u003cdiv class=\"facts-grid\"\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003e12\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eActive titles\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003eMicrophone\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eLead format\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003eRoyer Labs\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eTop series\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"fact\"\u003e\n\u003cdiv class=\"v\"\u003e\u003cem\u003eHL\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv class=\"lbl\"\u003eUS distribution\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\u003c\/section\u003e\n\n\u003csection class=\"below-grid-divider\"\u003e\n\u003cdiv class=\"ka\"\u003eBrowse the current catalogue below\u003c\/div\u003e\n\u003ch3\u003eThe current \u003cem\u003eRoyer Labs\u003c\/em\u003e catalogue —\u003cbr\u003esheet music via \u003cem\u003eHal Leonard\u003c\/em\u003e.\u003c\/h3\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","products":[{"product_id":"sf-24-stereo-acive-ribbon-microphone","title":"SF-24 Stereo Acive Ribbon Microphone","description":"\u003cp\u003eThe SF-24 stereo ribbon microphone is a phantom-powered version of our popular SF-12 stereo ribbon microphone. It combines the SF-12's high-quality audio performance, outstanding stereo separation, and imaging with our exclusive active electronics system for ribbon microphones. The SF-24's output of -38 dB is a full 14 dB more sensitive than our non-powered SF-12, putting its sensitivity on par with that of phantom powered condenser microphones. The unique electronics and custom-designed FET's used in the SF-24 allow for ultra-quiet operation, with self-noise of lower than 18 dB.\u003cbr\u003e\u003cbr\u003eLike an SF-12, the SF-24 is actually two matched ribbon microphones placed one above the other in a coincident pair, each aimed 45 degrees from center in the classic Blumlein configuration. The magnet\/pole piece structure of each ribbon transducer delivers a wide, uniform frequency response with no substantial peaks or dips, and the 1.8-micron ribbons produce superb transient response. Frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.\u003cbr\u003e\u003cbr\u003eThe SF-24's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labeled “Upper” and “Lower” for the upper and lower capsules of the microphone (when held vertically).\u003cbr\u003e\u003cbr\u003eFeatures:\u003cbr\u003e\u003cbr\u003e• Phantom powered circuitry provides high output and impedance matching\u003cbr\u003e\u003cbr\u003e• True stereophonic (Blumlein and M-S) recording from one microphone\u003cbr\u003e\u003cbr\u003e• High SPL capabilities\u003cbr\u003e\u003cbr\u003e• No distortion up to maximum SPL rating\u003cbr\u003e\u003cbr\u003e• Extremely low residual noise\u003cbr\u003e\u003cbr\u003e• Ribbon elements are not affected by heat or humidity\u003cbr\u003e\u003cbr\u003e• Absence of high frequency phase distortion\u003cbr\u003e\u003cbr\u003e• Equal sensitivity from front or back of elements\u003cbr\u003e\u003cbr\u003e• Consistent frequency response regardless of distance\u003cbr\u003e\u003cbr\u003e• High efficiency, matching toroidal transformers\u003cbr\u003e\u003cbr\u003e• Very low magnetic leakage\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53472925876542,"sku":"01753729","price":4999.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/01753729_1.jpg?v=1778656812"},{"product_id":"flexbar-dual-microphone-utility-mount","title":"FlexBar Dual Microphone Utility Mount","description":"\u003cp\u003eThe FlexBar is a universal microphone holder designed to hold two microphones on a single microphone stand, with additional flexibility far beyond traditional stereo bar capabilities. Constructed from aircraft-grade aluminum and finished in matte-black, the FlexBar is lightweight and handles most microphone types.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53472925974846,"sku":"01753733","price":299.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/01753733_1.jpg?v=1778656815"},{"product_id":"r-121-studio-ribbon-microphone","title":"R-121 Studio Ribbon Microphone","description":"\u003cp\u003eIn studios and on live stages around the world, the R-121 is the sound of electric guitars... and so much more!\u003cbr\u003e\u003cbr\u003eThe R-121 is Royer's flagship microphone – the iconic, radically engineered ribbon mic that put modern ribbons on the map in the 1990s has changed the meaning of “natural sound” for engineers and musicians around the world. The undisputed #1 first-call ribbon microphone for electric guitars, R-121s are equally well suited for trumpets and all brass instruments, drum rooms, percussion, piano, and much more.\u003cbr\u003e\u003cbr\u003eThe R-121 delivers a warm, extremely natural sound pickup in a compact, light-weight, high-output package that's easy to position, and it handles massive SPLs famously (160dB #1kHz). R-121s are built to use on guitar ramps from small combos to wide open high-wattage heads, trumpets from close-up muted to blow-your-hardest blaring, drums, and other high SPL applications. But its nuanced, natural sound pickup is also beautiful on quiet instruments like fingerpicked acoustic guitars, harp, flute, light percussion and others. The R-121 is warm, smooth and musical, giving phenomenal results on a wide variety of instruments.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53479211532606,"sku":"01753725","price":1699.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/01753725_1.jpg?v=1778695217"},{"product_id":"r-10-studio-live-microphone","title":"R-10 Studio\/Live Microphone","description":"\u003cp\u003eEvery Royer R-10 delivers the sonic excellence, flexibility and durability that recording \u0026amp; FOH engineers know they can expect from Royer, but at an easier-to-handle price point than most expect! The R-10 is a passive, mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank, California factory, the R-10 is exceptionally rugged, handling SPLs of up to 160 dB @ 1 kHz (!), and its compact size and mounting system allow for flexible, unobtrusive positioning.\u003cbr\u003e\u003cbr\u003eThe R-10's 2.5-micron aluminum ribbon element (same as in the legendary R-121) is formed with our patented direct-corrugation process, and is extremely well-protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10's built-in windscreen provides superior protection from air blasts and plosives, while also reducing proximity effect (bass buildup from close micing) so guitar cabinets and acoustic instruments can be more easily close-miced. The internally shock-mounted ribbon transducer isolates the ribbon element from unwanted vibrations, decreasing rumble and increasing the ribbon element's durability. The transducer is even wired for humbucking to better reject electromagnetically induced noise!\u003cbr\u003e\u003cbr\u003eThe R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You'll never overload an R-10!\u003cbr\u003e\u003cbr\u003eThe mic's open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats.\u003cbr\u003e\u003cbr\u003eThe R-10 is truly an excellent tool for recording almost any sound source you can think of!\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53480722170174,"sku":null,"price":0.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/01753724_1.jpg?v=1778698010"},{"product_id":"r-db20-dbooster","title":"R-DB20 dBooster","description":"\u003cp\u003eThe Royer dBooster is an extraordinary signal booster unlike any other inline lifter, with design and performance specs like the front end of a high-end preamplifier, and a sonic signature that will enable even the most familiar low output passive mics of all flavors to shine like never before. dBooster delivers better than double your passive mic's output; or, with the flick of a button, quadruple the ouput!\u003cbr\u003e\u003cbr\u003eFeatures:\u003cbr\u003e\u003cbr\u003e• True Class-A input stage\u003cbr\u003e\u003cbr\u003e• Extreme RF protection\u003cbr\u003e\u003cbr\u003e• Crystal clear gain with virtually no noise or self-distortion\u003cbr\u003e\u003cbr\u003e• Enormous amount of headroom – will not break up!\u003cbr\u003e\u003cbr\u003e• Low impedance output handles splitter cables and long cable runs beautifully\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53482629824830,"sku":"01753730","price":249.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/01753730_1.jpg?v=1778705692"},{"product_id":"sm-21-axemount-microphone-clip","title":"SM-21 AxeMount Microphone Clip","description":"\u003cp\u003eThe R-121\/57-styled dynamic mic combo is legendary for capturing electric guitars. With the AxeMount, using these two classic mics has never been easier, faster to set up, or more stable once they're set up. You can also move the two mics from one cabinet to another effortlessly – it's as easy as moving one mic stand.\u003cbr\u003e\u003cbr\u003eThe AxeMount microphone clip positions an R-121 right next to a 57-style dynamic mic, phase-aligned and ready to record for the ultimate electric guitar microphone package. A good starting point is positioning the clip so the dynamic mic is pointed at where the speaker dome meets the paper. The R-121 will be more on the dome. This is a classic position for these two mics.\u003cbr\u003e\u003cbr\u003eThe natural, full bodied sound of the R-121, blended to taste with the fist-forward pointedness of a 57-styled dynamic microphone, allows for phenomenal tailoring of recorded and live guitar tones. In the past, using these two mics required two mic stands, two clips, and time to get the mics lined up properly and in-phase with each other. The AxeMount does away with all that and makes the R-121\/dynamic microphone method as early as possible.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53482633920830,"sku":"01753732","price":59.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/01753732_1.jpg?v=1778705697"},{"product_id":"r-10-studio-live-microphone-royer-labs","title":"R-10 Studio\/Live Microphone","description":"\u003cp\u003eEvery Royer R-10 delivers the sonic excellence, flexibility and durability that recording \u0026amp; FOH engineers know they can expect from Royer, but at an easier-to-handle price point than most expect! The R-10 is a passive, mono ribbon microphone designed for use in the studio and on live stages. Hand-built in our Burbank, California factory, the R-10 is exceptionally rugged, handling SPLs of up to 160 dB @ 1 kHz (!), and its compact size and mounting system allow for flexible, unobtrusive positioning.\u003cbr\u003e\u003cbr\u003eThe R-10's 2.5-micron aluminum ribbon element (same as in the legendary R-121) is formed with our patented direct-corrugation process, and is extremely well-protected by a 3-layer windscreen system and internally shock-mounted ribbon transducer. The R-10's built-in windscreen provides superior protection from air blasts and plosives, while also reducing proximity effect (bass buildup from close micing) so guitar cabinets and acoustic instruments can be more easily close-miced. The internally shock-mounted ribbon transducer isolates the ribbon element from unwanted vibrations, decreasing rumble and increasing the ribbon element's durability. The transducer is even wired for humbucking to better reject electromagnetically induced noise!\u003cbr\u003e\u003cbr\u003eThe R-10 utilizes a David Royer custom-designed transformer for high overload threshold, minimizing saturation at even extremely high sound pressure levels. You'll never overload an R-10!\u003cbr\u003e\u003cbr\u003eThe mic's open grill design minimizes standing waves and associated comb-filtering effects and its smooth frequency response, phase linearity and lack of self-distortion make it ideal for all digital recording and live sound formats.\u003cbr\u003e\u003cbr\u003eThe R-10 is truly an excellent tool for recording almost any sound source you can think of!\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53484209504574,"sku":"01753724","price":799.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/01753724_1_79ca7bc3-4abe-4826-bc59-5a1f02f308fa.jpg?v=1778716193"},{"product_id":"r-122v-vacuum-tube-ribbon-microphone","title":"R-122V Vacuum Tube Ribbon Microphone","description":"\u003cp\u003eThe R-122V is the pinnacle of our R-Series line, a world-class tube ribbon microphone exhibiting unparalleled richness, depth, and detail, particularly in the midrange frequencies. With a lushness that has to be heard to be truly appreciated, the R-122V offers the ultimate in ribbon microphone performance for those who insist on the very best.\u003cbr\u003e\u003cbr\u003eThe R-122V takes the Royer-pioneered concept of active ribbon microphone technology to an unprecedented level by incorporating vacuum tube electronics into the same proven transducer system used in the venerable R-121 and R-122 ribbon microphones. The high operating voltage of the vacuum tube provides headroom far beyond that available from a standard phantom power supply. Sonically this translates into unmwatched clarity, detail, and airiness, along with the ability to handle brute SPL levels without flinching.\u003cbr\u003e\u003cbr\u003eFeatures:\u003cbr\u003e\u003cbr\u003e• Vacuum tube electronics provide high output capacity, optimal impedance to the ribbon element and low output impedance\u003cbr\u003e\u003cbr\u003e• Extremely low self-noise\u003cbr\u003e\u003cbr\u003e• Operates from a dedicated power supply\u003cbr\u003e\u003cbr\u003e• High SPL capabilities for electric guitar and percussion instruments\u003cbr\u003e\u003cbr\u003e• Absence of high-frequency peaks, “ringing” and phase shifts\u003cbr\u003e\u003cbr\u003e• Ribbon element, unaffected by impedance\/load, heat or humidity\u003cbr\u003e\u003cbr\u003e• Very low magnetic leakage\u003cbr\u003e\u003cbr\u003e• Equal sensitivity from front or back of element\u003cbr\u003e\u003cbr\u003e• Consistent frequency response regardless of distance\u003cbr\u003e\u003cbr\u003e• Rear side of mic records slightly brighter when three feet or closer to sound source\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53484455133502,"sku":"01753727","price":3999.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/01753727_1.jpg?v=1778719543"},{"product_id":"r-db22-dbooster2-royer-labs","title":"R-DB22 dBooster2","description":"\u003cp\u003eThe dBooster2 is two channels of everything our original dBooster is, PLUS both channels double as super clean DI's for electric guitars and bass! Both channels are fully independent so you can plug in two mics at once, use both channels for DI's, or mis them up – one side for a mic and the other for DI.\u003cbr\u003e\u003cbr\u003eWith microphones plugged in, the dBooster2 lets you switch between more than doubling the mic's input signal to quadrupling it, while maintaining an unrivalled amount of headroom with no loss of gain, regardless of the mic and preamp being used.\u003cbr\u003e\u003cbr\u003eWhen using the dBooster2's DI inputs, you can select 0dB (unity) gain, or switch to 8dB of gain if you need more level, still taking advantage of dBooster's ultra-clean high-end electronics.\u003cbr\u003e\u003cbr\u003eIn mic mode, the 20dB setting quadruples the input signal, providing loads of clean boost for recording softer instruments and singers. For higher volume instruments or loud singers, switch to the 12dB setting to keep from overloading your preamp or digital interface.\u003cbr\u003e\u003cbr\u003eThe dBooster2's dual Class A input stages deliver crystal clean gain with virtuall no noise or self-distortion.\u003cbr\u003e\u003cbr\u003eThe dBooster2's low-impedance output delivers audiohpile-level performance in the studio and also shines on live stages, driving long cable lengths and difficult loads like mic splitters and any vintage-style preamp... with no distortion, no loss of gain, and more headroom than any other mic lifter.\u003cbr\u003e\u003cbr\u003eThe dBooster2 gives outstanding performance with Royer R-121s, and R-10s and stereo SF-12s – or any other ribbon mic – and it opens up just about any dynamic mic such as SM7bs and RE-20s in a way you have to hear to believe.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53486803845438,"sku":"01753731","price":399.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/01753731_1.jpg?v=1778728707"},{"product_id":"sf-12-stereo-ribbon-microphone-royer-labs","title":"SF-12 Stereo Ribbon Microphone","description":"\u003cp\u003eThe SF-12 stereo coincident ribbon microphone combines high quality audio performance with outstanding stereo separation and imaging. It is a modern ribbon design with no audible diffraction effects or cavity resonance. An SF-12 is actually two matched ribbon microphones placed one above the other; each aimed 45 degrees from center in the classic Blumlein configuration. The frequency response is excellent regardless of the angle of sound striking the ribbons and off-axis coloration is negligible.\u003cbr\u003e\u003cbr\u003eThe SF-12 utilizes two 1.8-micron ribbons, each weighing approximately 1\/3 milligram and producing superb transient response. The two ribbon transducers are magnet\/pole piece structures that produce a wide, uniform frequency response with no substantial peaks or dips. The case is ingot iron and forms part of the magnetic return circuit, an effective system with low leakage flux which accounts for the relatively high sensitivity in a trim package. The SF-12's extension cable comes with a Y adapter that splits into separate 3-pin male XLR connectors labled “Upper” and “Lower,” for the upper and lower capsules of the microphone (when held vertically).\u003cbr\u003e\u003cbr\u003eThe SF-12 is uncanny for creating “you-are-there” stereo recordings that capture not only the instrument being recorded, but, depending on positioning, the acoustic environment as well. If you pay carefull attention to the sound of an instrument or ensemble in the recording environment, you will likely find a place where it sounds best to you. Position the SF-12 in that place and you will capture that sound.\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53486820917566,"sku":"01753728","price":3499.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/01753728_1.jpg?v=1778728942"},{"product_id":"r-122-mkii-active-ribbon-microphone-royer-labs","title":"R-122 MKII Active Ribbon Microphone","description":"\u003cp\u003eIn 2022, we introduced the R-11, the world's first phantom powered, active ribbon™ microphone. It was a revolutionary development in ribbon mics, combining impedance matching circuitry with condenser-like output levels that allowed the R-122 to be used on even the quietest sound sources. It also allowed the mic to be paired to virtually any preamplifier.\u003cbr\u003e\u003cbr\u003eThe R-122 MKII takes the R-122 to a whole new level, delivering unprecedented flexibility for ribbons via the addition of a switchable -15 dB pad and a switchable bass-cut filter. The switches are completely cut out of the circuit when disengaged so when both are off, the microphone is for all purposes an original R-22. The switches are located on the back of the microphone and recessed to prevent accidental activation.\u003cbr\u003e\u003cbr\u003eFeatures:\u003cbr\u003e\u003cbr\u003e• Phantom powered circuitry provides high output and impedance matching\u003cbr\u003e\u003cbr\u003e• -15 dB pad before the mic's electronics gives more headroom when activated\u003cbr\u003e\u003cbr\u003e• Bass cut filter reduces proximity effect and bass below 100 Hz when activated\u003cbr\u003e\u003cbr\u003e• High SPL Capabilities\u003cbr\u003e\u003cbr\u003e• No distortion up to maximum SPL rating\u003cbr\u003e\u003cbr\u003e• Extremely low residual noise\u003cbr\u003e\u003cbr\u003e• Ribbon element is not affected by heat or humidity\u003cbr\u003e\u003cbr\u003e• Absence of high frequency phase distortion\u003cbr\u003e\u003cbr\u003e• Equal sensitivity from front or back of element\u003cbr\u003e\u003cbr\u003e• Consistent frequency response regardless of distance\u003cbr\u003e\u003cbr\u003e• Rear side of mic records slightly brighter when three feet or closer to sound source\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53486828028222,"sku":"01753726","price":2199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/01753726_1.jpg?v=1778729046"},{"product_id":"sling-shock-rsm-ss1-royer-labs","title":"Sling-Shock RSM-SS1","description":"\u003cp\u003eThe Sling-Shock™ (Patent No. 8,571,250) is a revolutionary departure from traditional shockmount designs. We've done away with unreliable rubberized parts and elastic cords, producing a durable shockmount that provides exceptional isolation from vibration, rumble and resonances.\u003cbr\u003e\u003cbr\u003eOur proprietary system of non-resonant nylon cable and damped steel springs acts to isolate the microphone from vibrations induced from the microphone stand. These vibrations appear as rumble and\/or low-grade noise across the bandwidth and are greatly reduced by use of the Sling-Shock.\u003cbr\u003e\u003cbr\u003eSling-Shocks also eliminate the self-resonance that traditional shockmounts can generate on high SPL applications like close-miked electric guitar. Shockmount self-resonance creates harmonic interferences at various frequencies – Sling-Shocks eliminate the issue. The Sling-Shock's superior vibration-reduction capabilities and lack of self-resonance allow engineers to capture performances free of vibration-related interference across the bandwidth. A cable clip is included on each Sling-Shock. Loop a length of cable under the microphone, then secure the cable to the mic clip to minimize cable-related vibrations.\u003cbr\u003e\u003cbr\u003eSling-Shock Features:\u003cbr\u003e\u003cbr\u003e• Superior isolation from vibration, shock and rumble\u003cbr\u003e\u003cbr\u003e• Lack of self-resonance on high SPL applications\u003cbr\u003e\u003cbr\u003e• Felt-lined, scratch-free microphone chamber holds mic securely\u003cbr\u003e\u003cbr\u003e• No rubberized parts to degrade or stretch\u003cbr\u003e\u003cbr\u003e• Built in microphone cable clip minimizes cable-related vibration\u003cbr\u003e\u003cbr\u003e• Flexible for easy microphone positioning\u003cbr\u003e\u003cbr\u003e• Lifetime warranty\u003cbr\u003e\u003cbr\u003eThe Sling-Shock RSM-SS1 is sized to fit Royer's 1-inch diameter ribbon mics; R-121, R-122 MKII, R-122V and SF-12 ribbon microphones. The RSM-SS1 will work with any cylindrical microphone measuring approximately one inch in diameter (+\/- 1\/8 inch).\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53488341975358,"sku":"01753734","price":329.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/01753734_1.jpg?v=1778735752"},{"product_id":"sling-shock-rsm-ss24-royer-labs","title":"Sling-Shock RSM-SS24","description":"\u003cp\u003eThe Sling-Shock™ (Patent No. 8,571,250) is a revolutionary departure from traditional shockmount designs. We've done away with unreliable rubberized parts and elastic cords, producing a durable shockmount that provides exceptional isolation from vibration, rumble and resonances.\u003cbr\u003e\u003cbr\u003eOur proprietary system of non-resonant nylon cable and damped steel springs acts to isolate the microphone from vibrations induced from the microphone stand. These vibrations appear as rumble and\/or low-grade noise across the bandwidth and are greatly reduced by use of the Sling-Shock.\u003cbr\u003e\u003cbr\u003eSling-Shocks also eliminate the self-resonance that traditional shockmounts can generate on high SPL applications like close-miked electric guitar. Shockmount self-resonance creates harmonic interferences at various frequencies – Sling-Shocks eliminate the issue. The Sling-Shock's superior vibration-reduction capabilities and lack of self-resonance allow engineers to capture performances free of vibration-related interference across the bandwidth. A cable clip is included on each Sling-Shock. Loop a length of cable under the microphone, then secure the cable to the mic clip to minimize cable-related vibrations.\u003cbr\u003e\u003cbr\u003eSling-Shock Features:\u003cbr\u003e\u003cbr\u003e• Superior isolation from vibration, shock and rumble\u003cbr\u003e\u003cbr\u003e• Lack of self-resonance on high SPL applications\u003cbr\u003e\u003cbr\u003e• Felt-lined, scratch-free microphone chamber holds mic securely\u003cbr\u003e\u003cbr\u003e• No rubberized parts to degrade or stretch\u003cbr\u003e\u003cbr\u003e• Built in microphone cable clip minimizes cable-related vibration\u003cbr\u003e\u003cbr\u003e• Flexible for easy microphone positioning\u003cbr\u003e\u003cbr\u003e• Lifetime warranty\u003cbr\u003e\u003cbr\u003eThe RSM-SS24 accommodates Royer's SF-2, SF-24, and SF-24V microphones, and any cylindrical microphone measuring approximately 1 1\/2″ in diameter (+\/- 1\/8″).\u003c\/p\u003e","brand":"Royer Labs","offers":[{"title":"Default Title","offer_id":53488345678142,"sku":"01753735","price":389.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/files\/01753735_1.jpg?v=1778735810"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1396\/9982\/collections\/01753735_1_e1ccdb24-2de6-4d92-9430-f19dbcc3cfea.jpg?v=1779029962","url":"https:\/\/themusiciansclub.net\/en-mx\/collections\/royer-labs.oembed","provider":"The Musicians Club","version":"1.0","type":"link"}