The Musicians Club Presents

The Woodwind Club

The reed. The breath. The voice you've been searching for.

Flutes, clarinets, oboes, bassoons, and saxophones — the instruments, the reeds, the mouthpieces, the ligatures, the cases, and the people who built them. Curated for serious players. Built to feel inevitable.

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14-Day Returns
Musician Concierge
100+
Woodwind Brands
5,000+
Woodwind Products
$32K
Top Flagship
50+
Countries Shipped

Manifesto

A reed is a piece of grass. A mouthpiece is a sliver of rubber. The miracle is that you can sing through them.

Woodwind is the family of instruments where the player and the instrument finish each other's sentences. The reed responds to your weather, your morning, your mood. The mouthpiece either hides or reveals you. Two clarinetists with identical instruments will sound nothing alike — and that is the point.

The result is a tradition that runs from Mozart's last concerto to Coltrane's last solo, from the baroque oboe d'amore to the modern bass flute, from the bedroom student picking up an alto for the first time to the Conservatoire principal who has been refining one note for forty years.

We carry the makers who take this seriously. Vandoren in Paris, cutting cane the same way since 1905. Marigaux, hand-bored oboes for the Opéra Garnier. Di Zhao in Boston, where the head technician left Powell to start his own bench. Fox in South Whitley, Indiana, where the bassoons of half the world's orchestras are made by hand. We carry their student lines and their flagships. We carry the tools they recommend. We sell what works.

Three Centuries of Air

From the Baroque Chalumeau to the Modern Mark VI

The woodwind family is the orchestra's oldest section. The transverse flute traces to Theobald Boehm's 1832 system, but the players who used it learned from teachers whose teachers learned from Frederick the Great's Berlin court, where the king himself played flute beside Quantz. The clarinet emerged from Denner's Nuremberg workshop around 1700; the modern Boehm-system clarinet was engineered in Paris in 1843. The oboe is older still — its conservatoire form locked in by Triébert in the 1850s, the same workshop whose tradition Marigaux carries forward in Paris today.

The saxophone is the youngest member, patented by Adolphe Sax in Paris in 1846. It was designed for the military band, found its home in jazz, and now plays everything from Glazunov to Maria Schneider. The bassoon — older than all of them, the contrabassoon thunders below the orchestra in Mahler and Stravinsky.

Every reed we sell, every mouthpiece, every key cup, every keywork mechanism descends from this 300-year tradition of refinement. We carry it forward.

Three Categories. One Family.

Everything A Woodwind Player Buys

01

Instruments

Flutes from $300 student silvers up to $5,000+ Di Zhao pros. Clarinets from Amati conservatory through V. Kohlert bass clarinets. Oboes from student Fox to flagship Marigaux. Bassoons up to a $25,000 Amati contrabassoon. Every horn we list, we know.

02

Reeds

Cane and synthetic. Vandoren, D'Addario, Légère, Hartmann, Chartier — every cut, every strength, single-pack to box-of-fifty. The selection a working pro actually uses, not a sampler shelf.

03

Mouthpieces & Ligatures

The piece that decides your sound. Vandoren, Pomarico, Otto Link, Meyer, Charles Bay, Silverstein. Hard rubber, crystal, metal — and the ligatures that finish the setup.

Featured Maker · Paris, France

Marigaux

The oboe of the Paris Conservatoire. Hand-built since 1935.

Marigaux has been making oboes in Paris since 1935. The workshop on the rue Lecourbe still hand-bores conservatory bores, machines its own keywork, and signs each instrument with the maker's mark before shipping.

The 901, 2001, and Lemaire models populate the principal oboe seats of the Berlin Philharmonic, the London Symphony, the Concertgebouw, the Vienna State Opera, and the Paris Opera. Marigaux English horns and bass oboes are similarly the standard at the top of the orchestral repertoire.

We carry the conservatory line, the Lemaire (a softer scale designed with players from the Conservatoire de Paris), the English horn, and — when available — the bass oboe. Every Marigaux comes hand-tested before it ships.

$19,950 Bass Oboe — full conservatory system, grenadilla wood, silver-plated keys
Browse Marigaux
Featured Maker · Boston, USA

Di Zhao Flutes

Founded by Powell's former master technician. Handmade response, accessible price.

Di Zhao spent fifteen years at Powell as the company's head technician — the person who finalized every flute before it left the shop. In 2003 he opened his own bench, hired a few of the best Powell craftspeople, and started making flutes on the same Boston principle: drawn tone holes (or soldered, on the higher tiers), hand-cut headjoints, French keys for the players who want them.

The result is a flute that responds the way a five-figure handmade Powell or Haynes does — but at a price that puts a serious instrument inside the reach of a serious player. The DZ-301 is the entry pro silver flute. The DZ-501 has a sterling-silver headjoint. The DZ-601 and DZA-100 reach toward fully handmade.

The store also carries Di Zhao's student lines for younger players — the same response philosophy, scaled to a younger embouchure and a smaller budget.

$5,051 DZA-100 — pro silver flute, soldered tone holes, B-foot, Brossa or French keys
Browse Di Zhao Flutes

From the Di Zhao Flutes Collection

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Di Zhao Flutes

DZW-B

¥1,229,100

Di Zhao Flutes

DZW-C

¥1,229,100

Di Zhao Flutes

DZB

¥819,600

Featured Maker · Czech Republic

RZ Clarinets

Mopane and grenadilla. European craft, professional response, civilian prices.

RZ Clarinets are made in the Czech Republic — a part of the world that quietly produces some of the finest woodwind craft in Europe. Mopane and grenadilla bodies, hand-cut tone holes, finished by a small team that knows every instrument by name.

The line spans student Bb clarinets, professional Bb and A pairs, and — most ambitiously — the V. Kohlert / RZ bass clarinets, including a low-C model that competes with German makers at less than half the price. Players who try them often switch and don't go back.

Every RZ instrument we sell is play-tested before shipping. We can advise on tone-hole undercutting, barrel selection, and bore options.

$13,396 RZ Bass Clarinet (low C) Professional — premium gold edition
Browse RZ Clarinets

From the RZ Clarinets Collection

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Featured Maker · Germany

Thore

Hand-built bassoons, oboes, and silver alto flutes. The double-reed flagship.

Thore is a German workshop quietly building some of the most ambitious double-reed instruments in production today. The contrabassoon line tops out at $32,322 — making it the single most expensive woodwind on our shelves. The Artist Star Bassoon, custom-fit for the player, sits just below at $20,757. The Artist Bassoon at $14,996. The Professional Bassoon at $14,656.

Beyond bassoons, Thore makes the DACAPO Oboe and a 925-silver-headjoint Alto Flute (TAFL 1020). The signature is the same: hand-cut tone holes, hand-finished keywork, and a sound character built around warmth, projection, and the kind of mid-range core that holds up at the back of a 90-piece orchestra.

For the bassoonist looking past the standard German trio (Heckel, Püchner, Yamaha), Thore is the secret. We carry the full line, including the Artist Star contrabassoon and custom-finish bassoons. Lead times vary — talk to us before ordering.

$32,322 Thore Professional Contrabassoon — the highest-priced woodwind we sell
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From the Thore Collection

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Featured Maker · Paris, France

Vandoren

The world standard for clarinet and saxophone reeds, mouthpieces and ligatures since 1905.

Vandoren has cut reeds in Paris since Eugène Van Doren made the first one for himself at the Paris Opera in 1905. Today the family-owned workshop in Bormes-les-Mimosas grows its own cane on dedicated plantations and processes it through more than 30 quality-control steps before each reed ships.

The Traditional, V12, V21, 56 Rue Lépic, Java, ZZ and Misha lines populate the principal seats of nearly every major orchestra. Vandoren mouthpieces — B40, B45, M30, 5RV, M13 — are the chamber music and orchestral standards. Optimum and M/O ligatures, Master Series alto and tenor mouthpieces, and the V16 jazz line round out the catalogue.

We carry the full Vandoren range. Strength matched to your reading. Mouthpiece + ligature pairings recommended by working players.

From $14.50 Single reed (V12 clarinet, strength 3.5) — the orchestral baseline
Browse Vandoren
Featured Maker · Sun Valley, California

Rico

The student-to-pro reed that introduced more people to single-reed playing than any other.

Rico has been cutting reeds in Sun Valley, California since 1928. Now part of D'Addario Woodwinds, Rico still makes Royal, Reserve, Reserve Classic, Plasticover and the Mitchell Lurie line — strength options that take a student from first day through college conservatory.

Royal is the box every band director keeps in stock. Reserve and Reserve Classic graduate to the Berlin / New York symphony desks. Plasticover survives outdoor marching weather. Each reed ships in the white box you grew up with.

We stock every strength of every cut.

From $1.95 Single Royal clarinet reed strength 2.5 — the band-room baseline
Browse Rico
Reed Library · 3,029 Products

All Reeds — Every Cut, Every Strength

Vandoren · Rico · D'Addario · Marca · Rigotti · Gonzalez · Légère · Hartmann · Hemke · Bravo · Fibracell. Cane and synthetic, Bb clarinet through bass saxophone, every strength in stock.

Browse All 3,029 Reeds
Reed Workshop · 2,680 Products

All Rigotti — French Cane, Studio to Pro

Rigotti has cut reeds in southern France since 1970. Three plantations of arundo donax, hand-strength-tested through 30+ filaments. Wild Gold for jazz, Gold for classical — every strength from 1.5 to 4+ in stock.

Browse All 2,680 Rigotti Reeds
Bassoon · 302 Products

All Bassoon — Reeds, Mouthpieces, Cases, Cane

Fox · Heckel · Püchner · Schreiber. Plus the full reed-making and adjusting toolkit: cane, gouger and shaper, reed knife, plaque, mandrel and former. Everything the contemporary orchestral bassoonist keeps within reach.

Browse All 302 Bassoon Items

Every Voice In The Family

Browse By Instrument

Seven families. Every member, every tier. From the $300 student silver flute to the $32,000 Thore contrabassoon — and the recorder consort, the bass clarinets, and everything in between.

53 in stock

Silver · Gold · Wood

Flutes & Piccolos

From entry student silvers to Di Zhao's handmade Boston-cut pros at $5,000+. Soldered tone holes, French keys, B foot, low-B and low-C extensions — every spec a serious player asks for. Plus piccolos for the orchestral and marching repertoire.

Browse Flutes & Piccolos
105 in stock

Bb · A · Eb · Bass · Contra

Clarinets

RZ's Czech-made pros in mopane and grenadilla. Amati conservatory and student lines. V. Kohlert bass and contrabass clarinets at less than half the German price. The full clarinet family — Eb, Bb, A, alto, bass, contra-alto, contrabass.

Browse Clarinets
64 in stock

Conservatory · English Horn · Bass

Oboes & English Horn

Marigaux at the principal-oboe tier — used by Berlin Philharmonic, London Symphony, Concertgebouw, and the Paris Opera. Thore conservatory oboes from Germany. Amati conservatory and student lines. English horns and bass oboes available on order.

Browse Oboes & English Horn
40+ in stock

Pro · Contra

Bassoons & Contrabassoons

Thore at the German-handmade tier — including the $32,322 Professional Contrabassoon, the most expensive woodwind on our shelves. Amati ABN at the conservatory and contrabassoon tiers. V. Kohlert bassoons. Lead times vary on Thore — talk to us before ordering.

Browse Bassoons & Contrabassoons
57 in stock

Soprano · Alto · Tenor · Baritone

Saxophones

V. Kohlert's VKS series at the European-pro level — VKS-TS100 tenors at $7,669, VKS-AS100 altos and curved sopranos. Amati Andromeda baritones at $6,000. Amati Dream sopranos. The full SATB family in stock and shippable.

Browse Saxophones

The Soul Of The Woodwind

Reeds

Cane is grown in the Var, the Costa Brava, and the Río de la Plata. It is cut, planed, and shipped to your mouthpiece. From there, it is alive — for about three weeks, if you are lucky. We stock the brands that have spent a century learning the difference between a good day and a bad one.

Sound Shapers

Mouthpieces

If the reed is the body, the mouthpiece is the architecture. Tip opening, facing length, chamber size, baffle, table — every dimension shapes how the air becomes sound. Hard rubber for warmth, crystal for projection, metal for power.

The Last 5%

Ligatures

A ligature holds the reed against the mouthpiece. That sounds trivial. It is not. The pressure pattern, the contact area, the material — every variable changes how the reed vibrates. The right ligature on the wrong setup is unnoticeable. The right ligature on the right setup is the difference between fighting and flying.

Stage & Studio

Microphones · Stands · Tuners · Lighting

The professional infrastructure around the instrument. DPA Microphones for orchestral live amplification. Earthworks for premium recording. Apogee for the USB studio interface. Konig & Meyer for the stands the entire industry standardizes on. Mighty Bright for stand lighting. Soundbrenner for the wearable metronome.

Featured Microphones

All Microphones

Featured K&M Stands

All K&M

Care & Carry

Cases, Stands, Cleaning

A pad set runs five years if you treat the horn right and two if you don't. Every working player keeps swabs in the case, a stand on stage, and a pad saver between sets. We stock what they actually use.

Tiered For Every Stage

Student. Pro. The Right Horn For Right Now.

An eleven-year-old picking up a clarinet for the first time and a Conservatoire grad shopping a recital instrument want different things. We carry both ends — and the long middle.

Hand-Picked

Editor's Choice

The horns we'd buy ourselves if we were starting today.

The Whole Roster · 48 Brands

All Woodwind Brands

Every maker we carry — instrument builders, reed cutters, mouthpiece houses, case makers, accessory specialists. Tap any name to read their story and shop their line.

Frequently Asked

Questions Worth Answering

For most beginning clarinet and saxophone players, a strength 2 or 2½ is the right place to begin — strong enough to produce a steady tone, soft enough to respond. Move up gradually as your embouchure develops. Reed strength is not a difficulty rating; it's a resistance setting that has to match your mouthpiece, your air, and the sound you're after. Pros routinely play 3 to 4 on classical mouthpieces and 2½ to 3½ on jazz mouthpieces. Try a sampler — Vandoren and D'Addario both make multi-strength packs.
They're tuned a half-step apart. The Bb is the standard you start on — it's used in band, jazz, and most chamber music. The A clarinet is a slightly longer, slightly darker instrument used heavily in orchestral repertoire (Mozart, Brahms, and most opera scores call for both at different points). Serious orchestral players carry both and switch mid-piece. Eb, alto, bass, and contra clarinets fill out the family at the high and low ends.
Student horns (e.g. Amati alto around $1,000–$2,000) have lighter keywork and simplified tone-hole geometry to make the early years easier. Intermediate horns add features like high-F#, ribbed construction, and better lacquer. Pro horns (Selmer Reference, Yanagisawa, Yamaha Custom — and at our store the V. Kohlert/RZ-tier Czech pros) have hand-finished keywork, premium pads, and the resistance + projection that hold up in the orchestra and on the bandstand. The right level is the one that doesn't fight you in your current setting.
Both. Cane (Vandoren, D'Addario, Rico) responds with the warmth and complexity that has defined the woodwind sound for two centuries — but cane is moody, weather-sensitive, and goes flat fast. Synthetic reeds (Légère, Hartmann Fiberreed, Fibracell) play instantly out of the case, hold up in any climate, and last much longer. Most working pros now own both. Outdoor gigs, doubling, lesson teaching, jazz solos: synthetic. Concert solos, recordings, principal seats: usually cane.
They're cousins. The oboe (in C) is brighter, smaller, the iconic "tuning A" voice of the orchestra. The English horn (in F, also called cor anglais) is a fifth lower, larger, with a pear-shaped bell that gives it the unmistakable warm, plaintive sound — the "Largo" of Dvořák's New World Symphony, the love theme of Tristan und Isolde. Most pro oboists own both. We carry Marigaux at the top end and Fox + Amati at the conservatory and student tiers.
Pads typically last 3–7 years on a well-cared-for instrument, less on heavy gigging horns. The signs: leaks, sluggish response, sticky keys, a "ghost" tone. Corks and springs tend to outlast pads. Annual maintenance — a tech inspection, a crown-to-bell adjustment, light corking and oiling — is what keeps a $5,000 horn playing like one. We can recommend regional repair shops and we stock care products from Hosco, HW, and BG France.
Hard rubber (Vandoren, Charles Bay, Otto Link rubber) is the dark-warm classical default. Crystal (Pomarico) gives more focus and projection without going harsh — favoured by some chamber and lead players. Metal (Otto Link Metal, Meyer Bros) is brighter and louder, the lead-alto and tenor-jazz choice. None is "better" — they're different colours on the same palette. Most pros keep two or three for different rooms.
Yes, more than you'd think. A traditional metal screw ligature (Vandoren Optimum, BG Tradition) gives a focused core. Fabric/cord ligatures (Rovner, Silverstein) free up vibration for a broader, more resonant sound. The change isn't huge — it's the last 5% — but at the pro level the last 5% is the whole game. Try one of each on your current mouthpiece and you'll hear it.

Personal Service

Need help choosing? Talk to a specialist.

Every reed, mouthpiece, and instrument we sell is play-tested or hand-vetted before it ships. If you're weighing a Marigaux Lemaire against the 901, or trying to decide between Vandoren V12 and V21 cuts, or matching a bass clarinet to your section's pitch — we'll be on the phone in five minutes.

Also From The Musicians Club

The Other Clubs

Same curation, different family. If you double, teach, or shop for a section — we've built a club for every voice in the orchestra.

Stay In Tune

Get Our Reed-Drop & New-Arrivals Letter

Once a week. New stock, fresh setups, and the occasional setup tip from the bench. No noise.

The Woodwind Club

Find Your Voice.

A reed sits in front of you. A mouthpiece sits in front of that. Beyond them, a flute or a clarinet or a tenor saxophone — whichever one you have spent your whole life waiting to play. We're here to help you choose it.